Showing posts with label Leningrad. Show all posts
Showing posts with label Leningrad. Show all posts

01 June 2022

Travel Journal: Eastern Europe and the Soviet Union, 1965 – Part 4

 

[This is the fourth installment of “Travel Journal: Eastern Europe and the Soviet Union, 1965,” continuing my coverage of my visit to Leningrad.  It includes the latest repercussions of my visa problem with Hungary as well as tours of the Peter and Paul Fortress and the Hermitage Museum, and some souvenir shopping.

[ROTters who haven’t read the first three parts of the Russia journal are urged to go back and pick up Parts 1 through 3, posted on 23, 26, and 29 May respectively, so that you catch all the definitions, identifications, and explanations included in the first half of the chronicle.]

Saturday, 17 April – 11:05 [a.m.] – Leningrad

The ballet (see Part 3) was good [i.e., artistically], but I didn’t like it personally.  [I’m not a fan of dance.]

Right now I’m waiting for a call from Moscow.  I forgot to check for my Hungarian visa [while we were in Moscow (see Part 1)], so we are calling the embassy in Moscow as I may have to fly to Moscow and pick it up and fly on to Kiev to meet the group.  I also may have to miss Budapest if I don’t get the visa.

Meanwhile, I’m missing Pushkin town where the palace of Catherine II is.  It’s too bad, because it’s supposed to be interesting.

[What I didn’t get to see that morning was the little town of Pushkin, until 1918 named Tsarskoye Selo (‘tsar’s village’) and then Detskoye Selo (‘children’s village’) before being named in honor of Alexander Pushkin on 10 February 1937, on the 100th anniversary of the poet’s death.

[Tsarskoye Selo (Царское Село) was, during the empire, just what the name implies: an exclusive imperial residence.  The imperial household would move from the Winter Palace out to the countryside 19 miles south for the summer. 

[The palace in question is the Catherine Palace, built in 1717 as a two-story wooden structure for the future Catherine I, then wife of Peter the Great.  It was rebuilt as a stone palace in 1723 and has been rebuilt and enlarged many times until 1770, when it became the summer residence of Empress Catherine II. 

[Additional palaces were built in Tsarskoye Selo for other monarchs over the decades, but when the German forces retreated in January 1944 after the siege of Leningrad in World War II, they deliberately destroyed the Catherine Palace.  Soviet architects reconstructed the palace starting in 1957.]

The call came through—it looks like I may have to skip Budapest—or go to Moscow; which is difficult now.  This is one hell of a mess!

Looks like I miss Budapest.  I’ve got to stay in Kiev an extra day instead of going to [Budapest].  What a crapped-up job!

This afternoon was fairly interesting—we saw the Peter-Paul Fortress across the river.  We saw the Peter and Paul Cathedral inside the fortress and the dungeons, or prison where people like [writer Maxim] Gorky and Aleksandr Ulyanov [Lenin’s older brother] were imprisoned.  The cathedral [at the time of my visit] holds the tombs of all but three tsars.

[The Peter and Paul Fortress was the first building constructed in Saint Petersburg, started, as a star fortress of earth and timber, in 1703.  It was rebuilt in stone from 1706 to 1740.  It stands on Hare (Zayachy) Island, in the Neva River across from the Winter Palace.

[The fortress, aside from being the symbolic birthplace of Saint Petersburg, is a stand-out architectural sight in the city.  This is principally because the Peter and Paul Cathedral, a Russian orthodox church built within the fortress between 1712 and 1733, has the tallest bell tower in all Orthodox Christianity.  Painted gold and reaching a height of 404 feet, it can be seen from vantage points all over the city.  

[Today, only Peter II and Ivan VI aren’t buried there.  Peter II, grandson of Peter the Great who’d moved the capital to Moscow, is buried in the Cathedral of Michael the Archangel in the Moscow Kremlin; Ivan VI (1740-64; reigned: 28 October 1740-6 December 1741) was executed in the Fortress of Shlisselburg near Saint Petersburg and buried there.

[Tsar Nicholas II, Russia’s last emperor, and his family, who were executed by the Bolsheviks on 17 July 1918, were finally laid to rest, after the discovery and identification of their remains, in the cathedral on 17 July 1998 (80 years after their deaths—and a little over 33 years after I was at the cathedral).

[A museum since 1924, the Peter and Paul Fortress served as the home of the city garrison (a defense against a feared attack by Sweden—which never came), but around 1720, it also began to function as a notorious prison for high-ranking political prisoners. 

[(A note about the planned defense against a Swedish attack: in the early days of Russian history, going back to the Grand Duchy of Moscow [1263-1547; see Part 5, entry for 20 April], Russia’s most constant threats were Sweden and Finland.  Russia was either at war with one or the other of the Nordic nations or preparing to defend against it.  Now, 300 years later, Sweden and Finland are preparing to join NATO in anticipation of hostilities by Russia, a move that echoes one of Russia’s age-old fears.)

[The first prisoner to escape from Peter and Paul Fortress, which became known colloquially as “Russia’s Bastille,” was the anarchist Prince Pyotr Kropotkin (1842-1921; imprisoned, 1874-76; see my profile, “The Anarchist Prince,” 13 and 16 June 2020). 

[Another significant prisoner was Lenin’s brother Aleksandr Ulyanov (1866-87).  (Lenin’s birth name was Vladimir Ilyich Ulyanov.)  Aleksandr Ulyanov was a leftist revolutionary in his own right and on 13 March 1887 (NS), he and his comrades conspired to assassinate Tsar Alexander III (1845-94; reigned: 1881-94), the day of the sixth anniversary of the murder of Alexander II (1818-81; reigned: 1855-81). 

[Ulyanov and the other conspirators were arrested and tried.  They were held at the Peter and Paul Fortress for two months in solitary confinement.  In May, Ulyanov and four comrades were transferred to Shlisselburg Fortress and hanged on 20 May (NS).  His brother’s fate was a strong factor in Lenin’s motivation to pursue revolution avidly himself.

[Other illustrious detainees included:

•  Tsarevich Aleksei Petrovich (1690-1718), Peter the Great’s son and father of Tsar Peter II (imprisoned, 1718; he died there soon after)

  Tadeusz Kościuszko (1746-1817), Polish military leader who became a hero of the American Revolution, during which, among other contributions, he designed and oversaw the construction of state-of-the-art fortifications (imprisoned, 1794-96)

  the Decembrist revolutionaries (see Part 3)

  writers Fyodor Dostoevsky (1821-81; imprisoned, 1849), Mikhail Bakunin (1814-76; imprisoned, 1851-54), and Maxim Gorky (1868-1936; imprisoned, 1905)

  Leon Trotsky (1879-1940; imprisoned, 1906), Marxist revolutionary and a leader (with Lenin) of the Revolution of 1905 (see Part 3)

  Josip Broz Tito (1892-1980), Yugoslav communist revolutionary, World War II leader of the Yugoslav Partisans, and president of the Socialist Federal Republic of Yugoslavia (imprisoned, 1917).]

Then we went shopping—I bought  two records, one for Dad, and lots of posters.

[I don’t remember what the records were, except that they were classical music, of which my father was a big fan.  One may have been Rachmaninoff, but that’s just an impression I have.  I’m sure they were all Russian composers, in any case.  

[(After my dad went into a nursing home and Mother moved into a smaller apartment, she downsized and sold or donated books, records, and Dad’s wardrobe, except a few items I took, and the Russian albums weren’t saved.)

[One thing about the records, however, I do recall with absolute clarity: they were recorded on only one side of the LP!  That’s right: one side had grooves and the other was smooth.  All the records in the store at which I looked were like that.  I never found out why, but I suppose it was a way of keeping the cost down—like selling American cigarettes in Western Europe in packs with 12 cigarettes and a styrofoam filler for the missing eight butts—to make the imported packs cheaper, especially for the vending machines.

[The record store was also a music store, so of course Keats French, the Elvis/Roy Orbison wannabe, looked at all the guitars—acoustic, of course; I don’t think electric guitars were available in the Soviet Union since rock ’n’ roll music was banned—and they were odd, too.  

[Standard Russian guitars had seven strings instead of six.  I don’t know enough about music or guitars to know what the extra string is for, but after that, I noticed that all Russian guitars were seven-string models.  I’m not sure, but Keats may have bought one.

[Also on display were all sizes of balalaikas, the ubiquitous Russian three-string folk instrument with the triangular body.  Needless to say, we heard a lot of balalaika music while we were in Russia and the Ukraine.

[The poster store was fascinating.  I no longer recall if the store sold other kinds of posters, but we spent about an hour looking through the propaganda ones.  I ended up buying three or four as souvenirs and though I no longer have them—I don’t know what became of them; they were too wonderful for me to have just thrown them out, so I must have lost them in one move or another in the ensuing decades.  (They’ll turn up again in this chronicle when I leave the Soviet Union near the end of the trip.)

[I can recall pretty clearly at least two of the ones I brought home.  One was an anti-religion poster showing a church from above, with the roof removed.  (All the artwork was Socialist Realism, the approved graphic style in the Soviet Union since Stalin’s rule.)  

[Worshipers are sitting in the pews, row after row, and the giant image of a priest is looming over the church.  He’s counting the worshipers and as they recede toward the back of the church, their heads morph into the beads of an abacus.

[Most small shops in Russia still used abacuses for toting up a bill for a customer; cash registers were uncommon even in stores like GUM.  The message of the poster was that the church looked on worshipers as a source of income, not as souls to be guided, and the more congregants the church gathered, the more income the priests accumulated.

[The other poster I remember has echoes today and I’ve been reminded of it constantly during this Russian war against Ukraine.  It was a poster warning against the return of Nazism—20 years after the end of World War II.  (These were all new posters, not antiques or left-overs from the ’40s.)

[The main image in this poster was a huge Wehrmacht helmet, the iconic helmet we’ve seen in every WWII movie about the war in Europe.  The helmet’s cracked and out of the crack is emerging a snake.  As it crawls away from the cracked helmet, the snake’s body turns into the word REVANSHIZM in Russian letters (РЕВАНШИЗМ). 

[Revanchisme is a French word that means a policy of revenge (revanche in French) and retaliation.  The poster is a warning that Germany, the former Third Reich, was bent on avenging its defeat at the hands of the Red Army in World War II (known in Russia as the Great Patriotic War) and regaining its territory and its power.

[What was remarkable to me then was the sense of paranoia expressed for a defeated enemy of two decades earlier.  What’s remarkable to me now is that Vladimir Putin (b. 1952; President of Russia, 2000-08, 2012-present) is invoking that same fear again when he tells his citizens that his invasion of Ukraine today is to fight the return of that same enemy, now in the guise of the Ukrainians, over 75 years after they were defeated soundly.

[Of course, both instances are distinctly Orwellian, right out of 1984 and Big Brother.  I’m sure the 1965 incarnation, as manifested in the poster, was cynical and blatantly propagandistic.  I assume that Putin’s present protestations are as well . . . but, well, I’m not entirely sure that he isn’t unbalanced enough actually to believe what he says.  In any case, his frequent repetitions of his anti-Nazi mantra have brought back the memory of that propaganda poster from 57 years ago.

We tried to go to a cafe where young people are, but we couldn’t find [it].  We ended up walking down Nevsky Prospect and back again, with a detour to the Evropeiskaya Hotel.

When we stopped at a restaurant, a student came up to me and asked for a cigarette, and began a conversation—in Russian.  Then we tried to get him to guide us to a café, but he couldn’t.  We tried French, but he didn’t speak it.  We latched onto a phony-French-speaking Russian who only wanted to speak French but not help us.

I have come to the conclusion that Russians don’t believe in manners or lines, and don’t have either!  The only reason they are ahead in the space race, is they pushed!  In every crowded place, they push and butt in instead of lining up.

Right after dinner we tried to go into a bookstore, which was closed.  We passed a music store and went in.  They were playing a tape with the Beatles, Rolling Stones, etc.  They told us they got it off records [almost certainly bootlegged and/or smuggled].  Other than that, they were not very communicative.

Sunday, 18 April – 9:45 [a.m.] – Leningrad

This morning we went to the Hermitage museum—the old Winter Palace and four other buildings.  It was a museum of foreign art, including Rembrandt [van Rijn; Dutch (1606-69)], [Vincent] van Gogh [Dutch (1853-90)], [Peter Paul] Rubens [Flemish (1577-1640)], Titian [aka: Tiziano Vecellio; Italian (Venetian) (c. 1488/90-1576)], and others.

[The Hermitage (in Russian: Эрмитаж – Ermitazh) was founded in 1764 when Catherine the Great acquired a collection of paintings from a Berlin merchant.  The largest art museum in the world by exhibit space, it’s been open to the public since 1852.  Comprising over three million items, the collections now occupy six historic buildings altogether, including the Winter Palace.

[It would take a visitor weeks to months to see all the exhibits, which display only a fraction of the museum’s holdings.  In addition to those I named above, the artists represented include Leonardo da Vinci (Italian, 1452-1519), Raphael (Italian, 1483-1520), Diego Velasquez (Spanish, 1599-1660), Paul Gauguin (French, 1848-1903), and Pablo Picasso (Spanish, 1881-1973).  There are also collections of gold, silver, textiles, weapons, coins, and stamps. 

[One collection was the most intriguing to me.  It’s a collection of works by the Impressionists and early 20th-century artists, particularly Henri Matisse (French, 1869-1954) and Pablo Picasso, but much of it was kept hidden during the Soviet era because it was regarded as decadent and bourgeois.  We got to see some of it and two things astounded me.  Well, three if you count the effect the art itself had on me; this is the art period that I love the most, from the Impressionists through the Post-Impressionists to the early 20th-century moderns.

[The other two facts of this collection that struck me were, first, that it existed, that the stolid, artistically hide-bound Soviet Union owned such a collection of magnificent art.  (Back in the ’30s, Stalin’s government sold off many pieces from this period, including about two dozen works to Andrew Mellon, 1855-1937, who later donated them to form the nucleus of the National Gallery of Art in Washington, D.C., established in 1937.)  

[I don’t know how many pieces of art were in this secret stash—we only got to see a small selection of the hidden art—but it was a stunning collection.  The hidden art contained, alongside paintings by Matisse and Picasso, works by Gauguin, van Gogh, and others.

[Striking fact number two: this art, as wonderful and moving as it is, was hidden away from public view, and had been for decades.  (It was finally put on public display in 1995.)  Of all the atrocities of the Soviet regime, this one was probably not very consequential, but it was still painful to contemplate—saddening and disheartening.]

After lunch was free, and  we went shopping.  I bought another poster, and Mark [Dyen] bought some propaganda books, one called A Visit with Uncle Sam in Russian, which we will try to translate.  [I don’t recall that we ever attempted to do so.  In fact, I don’t remember anything about this book at all.  I tried to look it up, but I couldn’t find anything with that title, either in English or translated back into Russian.]

After dinner we had an opera—Princess Turandot—but we left early and went to an ice cream parlor for a while.

[The opera—like ballet, I’m not a big fan of opera, either—was obviously Giacomo Puccini’s Turandot; Princess Turandot is the title character of the 1926 piece, based on the 1762 play by Carlo Gozzi.  Set in China, the opera, as I recall, was very colorful with respect to the scenery and, especially, the elaborate costumes. 

[I didn’t make a note of the company performing the opera or the theater where it was staged.  Since we saw the ballet at the Maly Theater (see above, entry for 16 April, Part 3), though, I’ll guess the opera was presented, counterintuitively, at the Kirov Theater.

[As I mentioned earlier, however, Russian ice cream was excellent, even if the flavor selection was minimal.]

In the afternoon we went to a self-service cafe, and they practically threw us out.  The first counter wasn’t serving anymore, and the second one ignored us first, and finally, when we ordered coffee, we were told that there was no sugar, and I asked what was on the counter, being sugar, and that shut up the waitress for a while.  We then left.

On the way back we ran into a bunch of young hoods [what the Russians called ‘hooligans’ (хулиганы – khuligany)].  One was rather forcibly grabbing a girl by her arms, at which point what seemed to be the boyfriend tried to break them up, and a third boy had to break them up.

[Part 4 concludes my visit to Leningrad; in Part 5 of “Travel Journal: Eastern Europe and the Soviet Union, 1965,” which will come out on 4 June, the group moves on to Kiev, the capital city of the Ukrainian Soviet Socialist Republic.  (Since Ukraine’s independence in 1991, the city’s name was officially changed to Kyiv in its romanized spelling.)

[Please come back on Saturday for the continuation of my account of my trip through the Soviet Union, starting with the entry for 20 April 1965.  It covers my last day in the Soviet Union and the penultimate episode of the Hungarian visa saga.]


29 May 2022

Travel Journal: Eastern Europe and the Soviet Union, 1965 – Part 3

 

[This is the third installment of “Travel Journal: Eastern Europe and the Soviet Union, 1965,” covering my arrival and first day in Leningrad, the former imperial capital during the tsarist era when it was named Saint Petersburg—and which has been renamed Saint Petersburg now that the Soviet Union is no more. 

[Before introducing some of the city’s major historical sights—more will come in Part 4—I give a brief overview of the founding of Saint Petersburg by Tsar Peter the Great.  On our first evening in Leningrad, we also saw a performance by the internationally praised dance troupe, the Kirov Ballet.

[To those of you who are just coming on board the “Travel Journal,” I strongly recommend that you go back and start with Part 1, posted in 23 May, and catch the 26th’s Part 2 before encountering this installment of the chronicle.  I define and explain things in the journal as they come up, and I don’t reiterate the comments when the references show up again, so things will make much more sense if you read the journal in order.]

LENINGRAD, RUSSIAN SFSR (U.S.S.R.)

Friday, 16 April – 6:00 [p.m.] – Leningrad, Russian SFSR, U.S.S.R. [now Saint Petersburg, Russian Federation]

The plane trip was very interesting.  We met an ex-Russian from Moscow, now a New Yorker, who started a conversation with us and a Russian [Soviet] soldier.  [I have no recollection what we talked about!]

In Leningrad, after lunch, we went sight-seeing.  [Lunch was at our hotel, the Evropeiskaya in the center of the city at the corner of Nevsky Prospect and Brodsky (now Mikhailovsky) Street.  Opened in 1875, the hotel, now called the Belmond Grand Hotel Europe, has 266 rooms and suites.] 

We saw, from the outside, the Winter Palace and Hermitage, the fortress across the Neva River [the Peter and Paul Fortress; see 17 April, Part 4] and the stock exchange complex, the [Decembrists] Square, the Palace Square where the revolutions started, Saint Isaac’s Cathedral, the sport complex [probably the Kirov Stadium], the Admiralty Building, and Headquarters Arch.

[First, a quick overview of the city’s history.  Tsar Peter I, known as Peter the Great, founded the city on the banks of the Neva River in 1703 as his “Window to Europe” (Окно в Европу Okno v Yevropu).  The city was named for its founder: Saint Petersburg; Tsar Peter moved there while the city was still being built around him. 

[(The tsar lived in a single-story log house built for him in 1703 in the center of what would be the great city.  Later, he’d bring his bride, Tsaritsa Catherine [1684-1727, m. 1707; future Empress Catherine I; reigned: 1725-27], to live there with him.  It’s said that Catherine, born a commoner, cooked and cared for the children during this time.  The cabin [Домик Петра I – Domik Petra I] is preserved, encased in a brick pavilion near the Winter Palace.)

[In 1712, Peter declared Saint Petersburg the capital of Russia.  It became the center of the nation’s commerce, science, literature and the other arts, and architecture.  The city served as the capital of the Russian Empire, from 1713 to 1918, except for a short period between 1728 and 1730 when it was replaced by Moscow. 

[In 1914, to obliterate the Germanic-sounding original name (“Sankt-Peterburg” in Russian: Санкт-Петербург), the city was renamed Petrograd (“Peter’s City”; -grad is a shortened form of gorod [город], which means ‘city’ or ‘town’).  After the October Revolution in 1917, the Bolsheviks moved their government to Moscow and in 1924, after Lenin’s death, renamed the city once again to Leningrad.  The city’s original name, Saint Petersburg, was restored in 1991.

[A peculiar fact about Leningrad:  It’s the only city I can think of where someone could have been alive for all of its historical names.  If a man was born in, say 1906, he’d have been born in Saint Petersburg.  If he lived till he was 85, he’d have lived in Petrograd after he was 8; then Leningrad when he turned 18; and finally Saint Petersburg again on his 85th birthday.  That’s three name-changes over a lifetime.

[The Winter Palace (Зимний Дворец – Zimniy Dvorets) was the residence of the Tsars from Peter I through Nicholas II (1868-1918; reigned: 1894-1917), the last emperor of Russia—with the exception of Tsar Peter II (1715-30; reigned: 1727-30), who moved the court to Moscow from 1728 to 1730; it was returned to Saint Petersburg by Empress Anna (1693-1740; reigned: 1730-40), a niece of Peter the Great.  The current building was built in 1762.

[After the 1917 revolution, the Winter Palace became the seat of the provisional government of the Russian Republic.  Later that year, the Bolsheviks seized power, deposed the democratic government of Aleksandr Kerensky (1881-1970; Minister-President of the Russian Republic: September-November 1917), and sacked the palace.  In 1918, Lenin moved the capital to Moscow and the Kremlin.

[In October 1917, the palace was declared to be part of the Hermitage public museums.  I’ll detail the Hermitage and its collection below (see 18 April, Part 4) when we actually went inside the museum.

[The Old Saint Petersburg Stock Exchange (Санкт-Петербургская Биржа – Saint Petersburg Bourse) was constructed between 1805 and 1810.  Inspired by the Temple of Hera at Paestum, Greece, it’s situated in an architectural complex located on the spit of Vasilyevsky Island. 

[After the 1917 revolution and Russia came under the communist economic system, the building ceased to function as a stock exchange; since private ownership of a business, or of a share in a business, was prohibited, there were no longer stock exchanges in the Soviet Union. 

[In 1939, the old Stock Exchange building housed the Central Naval Museum until 2010.  When the Naval Museum was moved to a new location, the building was transferred from federal to city ownership and as of 2013, the exchange building has become part of the Hermitage Museum complex to house the heraldry collection.

[On the Neva, opposite the exchange building, is a semicircular overlook with circular ramps descending to the river.  The ramps are framed by two Rostral Columns centered on the front of the Stock Exchange. The columns are made of brick coated with red stucco and decorated with bronze anchors and four pairs of bronze ship prows, known as rostra.

[Decembrists Square, called Senate Square from 1763 to 1782 and Peter’s Square (because of the erection of a bronze equestrian statue of Peter the Great, known as the Bronze Horseman) from then to 1925, was so named to honor the memory of the Decembrist revolutionaries who on 14 December 1825 staged a revolt against tsarist autocracy, which was brutally suppressed by Nicholas I (1796-1855; reigned: 1825-55). 

[The uprising, perpetrated by some 3,000 military officers who supported the succession of Grand Duke Constantine (1779-1831) to the throne of Alexander I over the Grand Duke’s younger brother, Nicholas, took place before the Senate on Peter’s Square.  It was immediately suppressed and the conspirators were hanged, imprisoned, or exiled to Siberia.

[In 2008, the square reverted to the name Senate Square.  (The senate referred to in the plaza’s name is the so-called Ruling Senate of the Russian Empire; the upper house of the modern Russian legislature, the Federal Assembly, is the Federation Council.)

[Saint Petersburg was frequently the scene of major revolutionary events.  I’ve already mentioned the December 1825 abortive uprising of the Decembrists against Tsar Nicholas I, which took place in what later became Decembrist Square.  Palace Square was the site of the inception of several later uprisings and revolts.

[On 9 January 1905, some 3,000 to 50,000 demonstrating workers marched peacefully to the Winter Palace to present Tsar Nicholas II a petition for several desired reforms.  The Imperial Guard fired on the marchers in what became known as Bloody Sunday (Кровавое Воскресенье – Krovavoye Voskresenye); 143-234 demonstrators were killed, 439-800 injured, and 6831 arrested. 

[Bloody Sunday began the Revolution of 1905 (1905-07), sometimes called the First Russian Revolution, which resulted in the defeat of the revolutionaries, Nicholas II keeping his throne (until 1917), the enactment of a constitution, the passage of some reforms, and the establishment of the State Duma (legislature).

[The Revolution of 1917, which also started in what was by then Petrograd, was really a series of two revolutions and a civil war.  During World War I (July 1914-November 1918), in which the Russian Empire was an ally of France, the United Kingdom, and the United States, an apparently spontaneous uprising of an uneasy alliance of republicans and socialists began on 8 March 1917. 

[Known as the February Revolution (because it took place in February under the old, Julian calendar still in use in Russia at the time, designated Old Style or OS), it ended on 18 March (according to the Gregorian calendar, used by most of the rest of world, New Style or NS) with the abdication of Tsar Nicholas II and the establishment of the Russian Republic under the Provisional Government headed by Aleksandr Kerensky.

[On 6 November on the new calendar (NS), corresponding to 24 October (OS), Lenin arrived in Petrograd and the next day declared that his Bolshevik (‘Majority’) arm of the Communist Party had usurped the power of the Provisional Government.  On Lenin’s orders, the battleship Aurora opened fire on the Winter Palace, signaling the soldiers and workers to storm the palace, initiating the October Revolution (so called because of the Old Style dating system). 

[The Russian Republic would become the Russian Socialist Federative Soviet Republic in July 1918, but the October Revolution simultaneously started the Russian Civil War, the struggle between the Reds (communists) and the Whites (a loose confederation of anti-communist forces that included monarchists, capitalists, and social democrats).  The Civil War lasted until 1923, culminating in the communist victory and the establishment, in 1922, of the Union of Soviet Socialist Republics.

[Saint Isaac’s Cathedral is the fourth consecutive church standing at this spot.  It’s dedicated to Saint Isaac the Confessor (4th century CE), a patron saint of Peter the Great, who was born on the saint’s feast day.  The Soviet regime turned it into a museum in 1931 (though religious services have been held in a side chapel since the 1990’s).  Located on Saint Isaac’s Square (just west of Senate Square), the current cathedral was built by Alexander I from 1818 to 1858.

[I didn’t note the sports center we visited on the 16th; there are two in the city.  One is the Mikhailovsky Manege (so named because it was a riding academy for a time in the early 19th century) that became the Winter Stadium (Zimniy Stadion) in 1949.  It served many functions over its history, but I think the place we visited was the Kirov Stadium, a multi-purpose stadium and one of the largest anywhere in the world.

[Located on Krestovsky Island on the coast of the Gulf of Finland in northwest Leningrad, the stadium was built starting in 1932 and opened in 1950.  It held 100,000 people, including 16,000 standing places.  The Kirov Stadium was demolished in 2006 and the Krestovsky Stadium was built on the site and opened in 2017.

[The Admiralty Building, one of Leningrad’s oldest and most important buildings, is the architectural center of the city; it sits at the point where Leningrad’s three main streets, Mayorov (now Voznesensky) Prospect, Dzerzhinsky (now Gorokhovaya) Street, and Nevsky Prospect, converge like the center of a star’s rays.  With its gilded spire topped by a golden weather vane shaped like a small sail warship, it’s one of the city’s most conspicuous landmarks.

[Situated on the south bank of the Neva between Palace Square to the east and Decembrists Square to the west, the Admiralty was built in 1706 by Peter the Great as the fortified shipyard that built the nascent Russian Navy.  The original structure was made of wood, eventually replaced by masonry buildings; the current edifice was constructed during the reign of Alexander I between 1806 and 1823.

[Shipbuilding was moved to another location on the Neva by the 1840s and the complex was taken over by the navy.  It was the Ministry of the Navy until 1917 when it served as a rallying center for the tsarist forces during the revolution.  It’s the current headquarters of the Russian Navy.

[On the south side of Palace Square is the monumental General Staff Building (built in 1819-29).  It’s constructed in two wings which are joined by a triumphal arch called the Headquarters Arch adorned with a bronze statue of a Roman racing chariot drawn by four horses.]

Tonight we go to a ballet.

[The ballet we saw—I kept the ticket stub!—was Seven Beauties (Семь красавиц – Sem’ krasavits) by Soviet Azerbaijani composer Gara Garayev (also spelled Kara Karayev; 1918-82).  It was presented by the world-renowned Kirov Ballet (now renamed the Mariinsky Ballet) at the Maly (Little) Theater of Opera and Ballet.

[Sidelight: Back in the Soviet times, the official Russian names of institutions—of any kind, not just arts organizations—were often immensely complicated on political grounds.  The dance troupe known to the world simply as the Kirov Ballet was formally the Leningrad Order of Lenin State Academic Theater of Opera and Ballet named after S(ergei). M(irinovich). Kirov (Ленинградский государственный ордена Ленина академический театр оперы и балета имени С. М. Кирова). 

[The Order of Lenin was the highest civilian decoration bestowed by the Soviet Union.  Institutions and organizations that received the order incorporated its name into their official titles.  “Academic theater” was an honorary title awarded to the biggest and oldest state theaters in the Soviet Union; it’s still used today in Russia and other former Soviet states. 

[“State theater” was the designation of a theater authorized by the Soviet state and regulated and subsidized by the government.  Today (and in tsarist Russia before the revolution), there are independent and municipal theaters, but even during the Soviet era, a small number of independent theaters sprang up, often associated with university student groups, and allowed to operate under the watchful eye of the Ministry of Culture and the security police. 

[(Such independent theaters could be awarded state status and receive a government subsidy, either as a reward for following ministry guidelines successfully or in order to bring them under the control of the government [see the early history of the Nikitsky Gate theater in “Mark Rozovsky & The Theater at the Nikitsky Gate,” 5 October 2020].  Along with the subsidy came continued strict censorship, and the de facto selection of the theater’s leadership by the culture ministry.)

[The name-change to Mariinsky Ballet in 1992 was made because Sergei Kirov (1886-1934), having no connection to dance or the arts, was a hero of the 1917 Bolshevik Revolution and a personal friend to Joseph Stalin.  His assassination in 1934 was Stalin’s excuse for the Great Purge of 1937.

[Composed in 1947-48 to mark the 800th anniversary of classical Persian poet Nizami Ganjavi (c. 1141-1209), Seven Beauties is based on the 1197 narrative poem of the same title.  The story’s on a popular theme in Islamic poetry, the ill-starred lovers, and shares many plot elements with both Shakespeare’s Romeo and Juliet and S. Ansky’s The Dybbuk.]

[The fourth part of “Travel Journal: Eastern Europe and the Soviet Union, 1965” will come out on Wednesday, 1 June.  It starts with the entry for 17 April 1965 and the return of my Hungarian visa problem (see Part 1).  We visited Leningrad’s Peter and Paul Fortress and Cathedral, as well as doing some souvenir shopping of a very Soviet nature.

[Please come back to ROT for the continuation of my account of my high school trip through the Soviet Union.  In addition to the historical sights and the shopping, we also paid a visit to the world-famous Hermitage Museum and had a chance to see a very special collection of European art.]


11 May 2021

Going to a Swiss International School, Part 5

 

[In “Going to a Swiss International School, Part 4,” I wrote about some of what Ecolint interns got up to when we hit downtown Geneva during free time from school.  I’m devoting Part 5 exclusively to one trip I took with the school in the spring of my senior year.  I think you’ll see why I’m spotlighting this event—and even here I’ll be cherry-picking aspects of the trip.

[This may be the one installment of “Swiss International School” that can stand somewhat on its own—though it’ll make a lot more sense if you’ve read what went before.  I still recommend that ROTters who haven’t read Parts 1 through 4 go back to the beginning and do so.  The previous sections of my high school memoir were posted on 29 April and 2, 5, and 8 May.]

When I returned to Geneva, school picked up again immediately.  During spring vacation, however, which came in early April 1965, Ecolint organized a trip to Eastern Europe and the Soviet Union.  The school had made this journey a year or so before and it proved very popular.  I jumped at the opportunity and signed up.  The group included 32 student travelers and one Ecolint teacher as chaperone.  (His name was Mr. Brunst, but I don’t remember him at all!)

I had been trying to learn Russian for a few years.  A teacher at my New Jersey prep school had gathered some interested students for a non-credit, extra-curricular class in the language, but we hadn’t gotten beyond learning the alphabet.  A teacher at Ecolint did the same thing—we even had a textbook—but we hadn’t gotten very far by the time the trip came along. 

(Neither school offered a regular course in Russian in its curriculum.  When I got to university, I was finally able to take a credit-bearing course in Russian, but my school only offered two years of the language at that time.  It wasn’t until I was in the army that I got to study the language intensely; I was assigned to the Defense Language Institute in Monterey, California, for a year-long Russian-language program.  It was the best duty I had in the five years I was in the service!)

Aside from semi-regular hand-outs and documents we had to fill out and turn in—some for Ecolint and some for the various embassies concerned—our first order of business was applying for visas for all the countries we were going to visit or pass through.  (This being an international school, all of us already had valid passports, of course—otherwise we couldn’t have been in Geneva.)

The trip included Warsaw, Poland, for a couple of days, and then a week in the USSR.  That part of the trip, the main attraction, comprised visits to Moscow and Leningrad (now renamed—or, really, re-renamed Saint Petersburg), Russia, and Kiev (now officially called Kyiv since 1991), Ukraine.  The group went from Kiev to Budapest, Hungary, and then on to Vienna, Austria, before returning to Geneva. 

I immediately ran into a problem, the repercussions of which were to be considerable.  You see, my father was a member of the Consular Corps, an official status just below that of the Diplomatic Corps.  I, therefore, carried an “official” passport (maroon cover instead of turquoise, which was the color of U.S. tourist passports then; diplomatic passports—known to foreign service brats like me as “dip cards”—had black covers).  The Hungarian embassy in Bern, the Swiss capital, wouldn’t issue a visa for an official passport; my application had to be forwarded to the foreign ministry in Budapest for action.

I began keeping a travel journal for this trip, and my first entry on 9 April was about the visa problem.  I must have told my father as soon as I knew, but it was no help in the end.  In any case, some of what follows in this account is from that chronicle.  (I have travel journals for trips to the People’s Republic of China in 1980, as well as Israel and Egypt in 1982 and I’m contemplating posting them—or excerpts from them—on this blog sometime in the future.)

The other embassies—Poland and the Soviet Union—had made some waves, but ultimately issued the necessary visas.  I’m pretty sure, without having any proof, that the Hungarian embassy was just taking advantage of the opportunity to cause a little grief for an American official.  This was the height of the Cold War era, after all.  (CIA pilot Francis Gary Powers was shot down over Russia in his U-2 spy plane in May 1960 and the Cuban Missile Crisis had been in October and November 1963.) 

In any case, the bureaucracy for which the communist countries were famous went into slow-motion action—or, rather, non-action.  I guess it’s no surprise that the Hungarian visa didn’t come through before we left Switzerland.  The group’s leader was instructed to pick it up at the Hungarian embassy in Moscow when we got there.  So when the departure time came, I boarded the train to Warsaw with my schoolmates and fellow travelers (no political comment intended).

The trip east was by train—three trains, to be precise.  We left from Geneva’s Gare Cornavin at oh-dark-thirty (actually 1 a.m.) on 10 April for Warsaw, a 1,000-mile, 30-plus-hour journey.  We changed trains in Zürich (at 6:30 in the morning of the 10th) and again in Vienna (at 8:30 that evening) and then crossed the Iron Curtain (at about 11:30 p.m.) into communist-controlled Eastern Europe through Czechoslovakia (for which I needed a transit visa, that I’d gotten with no problem).

This was the train ride on which Keats French brought along his portable guitar rig and set it up in the train compartments [for introductions to my schoolmates, see Part 1].  We blasted rock ’n’ roll music out the windows at each station we stopped at along the route.  Before we reached Vienna, after dinner—probably around 7 the first evening—we had a party in Keats’s compartment. 

I doubt the railroad authorities appreciated our efforts much, especially the further east we went.  Communist authorities disapproved of rock ’n’ roll music because it was counter-revolutionary and decadent!  (So were chewing gum and blue jeans, by the way.)

Our shenanigans en route weren’t always appreciated by passengers on other trains.  When we stopped in Zürich and had changed stations for the train-change, it was very early in the morning.  According to my notes, “We were in a mess,” doubtlessly from 5½ hours in a Schweizerische Bundesbahn (Swiss Federal Railway) compartment.  My journal records: “Mark got a gift of a bag of rubbish from some English schoolgirls—in his face.  He kindly returned it—in the window of their train.”

Someone in our group had brought along a Playboy (oh, come on!—we were a bunch of mostly teenaged boys and sometimes you just do what you’re expected to do!) and it had ended up face-up on the compartment floor when we fell asleep waiting for the rigamarole at the Czech-Polish border.  My journal recounts:

We dozed off until the Czech and Polish officials met us at the Polish border.  Here the Poles looked at our [customs] declaration sheets, and, in signing mine, [one guard] picked up a Playboy as a rest.  He began to leaf through it.  When the second official came up, [the first one] dropped the magazine and said something in Polish.  The second man stared at the magazine on the floor for a short while.

We arrived in Warsaw at a little before 8:30 in the morning of 11 April and headed for the Hotel Europejski (near Piłsudski Square and the Tomb of the Unknown Soldier), where we stayed.  The Polish capital was my first introduction to a communist country.  I suppose it’s a good place to start because of all the Soviet Bloc nations, it might have been the most liberal, at least culturally and artistically.  I didn’t know this at the time, of course, even though I’d had a small peek at this phenomenon some years earlier.

As some ROTters will know, my parents became involved in an art gallery in Washington, D.C., when I was about 11 (see “Gres Gallery,” 7 and 10 July 2018).  One of the gallery’s most successful shows was Contemporary Polish Painters in April and May 1961; it was an exhibit of artists working in a non-representative style that wasn’t officially sanctioned in Poland or anywhere in the Soviet Bloc where the only recognized style was Socialist Realism.  The Polish artists, however, persisted in producing art that reporter Stephen S. Rosenfeld of the Washington Post quipped was “as far from the official Soviet ‘socialist realism’ as Picasso is from ‘The Happy Milkmaid.’” 

Painting wasn’t the only clue that Poland was cutting its own path.  Note, for example, the blossoming of Polish cinema in the early 1960s.  We saw, as it happens, what I can only describe as an experimental film in Warsaw that trip—keeping in mind that we were only shown things the tourism authorities wanted us to see.  It was black and white, but that wasn’t surprising in the early ’60s—even in the U.S.—and though the actors were live, they were made to look artificial, almost as if it were an animation.  (Remember, this was in the days long before computer imagery was available in the film industry.)

(Film and visual art weren’t alone in this kind of experimentalism.  This was the era of avant-garde theater director Tadeusz Kantor (1915-90) and Jerzy Grotowski (1933-99), experimental stage director and theorist, among many others.)

In any case, Warsaw was like an airlock between liberal democratic Western Europe and the communist, even Stalinist USSR.  So we boarded a 3:20 p.m. (Warsaw time) LOT flight from Warsaw-Okecie Airport (renamed Chopin Airport in 2001) on 13 April for Moscow’s Sheremetyevo International Airport (renamed in 2019 in honor of poet Aleksandr Pushkin).  We arrived at 7:45 Moscow time that evening.

The visit to Moscow was crammed with tourist sights.  We stayed at the Hotel Bucharest (since 1992, the Hotel Baltschug) on the Moskva River across from the Kremlin.  In my memory, it was a dark rabbit warren of hallways which weren’t all on the same level; we frequently had to go up and down flights of two or three steps as we crossed from the elevators to our rooms. 

I also remember that this was the first time I had encountered concierges—or whatever they were called in such cases—on each floor, seated at a small desk in an upper lobby.  I was sure they were there to keep tabs on us and any other foreign guests.  (We were also certain that there were microphones hidden in all our rooms!)

As soon as we landed in Moscow, we picked up a cadre of Intourist “guides” (read: “minders”).  Intourist, started under the first communist leader, Vladimir Lenin (1870-1924), was ostensibly the official agency for looking after foreign visitors, but it was really a means of keeping an eye on them so they don’t get to see anything the authorities don’t want them to see or go off somewhere the security establishment doesn’t want them to go. 

One Intourist guide stayed with us throughout our visit to the USSR, and we picked up a local guide in each city.  Later, for reasons you’ll learn, I had my very own Intourist minder.  (Fifteen years later, when I went to the People’s Republic of China, I encountered the same set-up with the China International Travel Service [CITS].)

Included in the tour of the city, of course, were visits to most of the main tourist sites in the Soviet capital city.  The Kremlin (which is Russian for ‘fortress’ and was built in the 15th century) and many of the buildings within it such as the Great Kremlin Palace, the Tsar’s former Moscow residence and now the official residence of the President of the Russian Federation and a museum, and the four cathedrals within the Kremlin walls, was a major stop. 

The Kremlin sits on Red Square, the heart of Moscow.  Dating from the late 15th century during the rule of Tsar Ivan the Great (1440-1505), the square has served many purposes over the centuries, from marketplace to coronation site to parade ground.  One interesting fact, which I may have learned on this trip (though it’s possible I knew it from before, but I think not) is where the name came from. 

Most people, I think, believe that Red Square’s name is derived from the Communist Party’s and the Soviet Union’s association with the color red.  In a sense, it’s actually the other way around.  From the 17th century onward, some two centuries after it was formed and almost three before the rise of Bolshevism, Muscovites began calling the square by its current name, Krasnaya Ploshchad (Красная Площадь) in Russian. 

The name’s derived from the word krasnyi (красный), which meant ‘beautiful’ in Old Russian (krasivyi [красивый] in modern Russian) and only later came to mean ‘red.’  The name given to the plaza was actually Beautiful Square—La Belle Place, so to speak; only later, when the Russian word split into two cognates, did the designation’s English translation became Red Square.

So there’s an age-old association in the Russian psyche between the color red and the idea of beauty—which is why the color became so prominent in Russian culture.  It’s not completely unrelated to the adoption of red as the signature color of the communists in the late 19th and early 20th centuries, but it was because the color was already a symbol of beauty and significance in Russian thinking that the communist revolutionaries took it as their signature.

On the southwest side of the rectangular square (which runs northwest to southeast) is the eastern wall of the Kremlin.  It served as the Soviet Union’s National Cemetery, known as the Kremlin Wall Necropolis, from 1917 to 1985, the burial site for heroes who died for the Soviet Union.  (It still stands despite occasional calls for its removal.)

In front of the necropolis is the Lenin Mausoleum in which the preserved corpse of Vladimir Lenin is displayed in a glass coffin.  The line to get into the tomb is very long, and, of course, keeps moving because it’s not customary to stop at the coffin, even back in ’65 when the USSR was still enduring.  It’s still a major tourist attraction.

Until 1961, just 3½ years before I was there, Joseph Stalin (1878-1953), Lenin’s successor and the Soviet Union’s World War II (called there the Great Patriotic War) leader, was also interred in the mausoleum.  During the de-Stalinization program of Premier Nikita Khrushchev (1894-1971), the body of the former leader was moved to the Kremlin Wall Necropolis.  The gravesite is marked only with a bust of Stalin; his name is not inscribed anywhere.

On the southeastern end of Red Square sits St. Basil’s Cathedral, recognizable the world over from its nine highly colored onion domes, it was built in the 16th century by Tsar Ivan the Terrible (1530-84).  The cathedral was secularized in 1929 and serves as a museum today (though since the fall of the Soviet Union, Russian Orthodox services have been restored since 1997).

Along the northeast side of the square is the former department store GUM (ГУМ; pronounced goom, to rhyme with ‘room’).  Believe it or not, this was one of the sights that made the most impression on me; it was sort of emblematic of the Soviet Union for me. 

GUM was an acronym for Gosudarstvennyi Universalnyi Magazín (Государственный Универсальный Магазин), or State Universal (that is, ‘Department’) Store; since 1991, the name has been Glavnyi Universalnyi Magazin (Главный Универсальный Магазин), literally Main Universal Store).

GUM is huge: with a frontage of 794 feet, it offers 743,000 square feet of floor space over three stories.  Today it’s a shopping center, but such things barely existed in the West in 1965, and in the Soviet Union, they would have been anathema as hotbeds of commercialism and capitalism.  The place was (apparently always) crowded with shoppers.

One problem, though: there was nothing to buy, to speak of.  The “shoppers” were mostly “searchers” or “hopers.”  The shelves and racks and display cases were pretty much empty or, at most, sparsely stocked.  There were some drab coats (out of season for early spring—but in the USSR, you bought what you might need when it was offered. 

The old building—built in the 1890s in what was called the Russian Revival style, using elements of Russian medieval architecture and 18th-century design and decorative elements popularized by Tsar Peter the Great (1672-1725).  But the interior looked like a huge warehouse. 

That was what the Soviet Union seemed to me: lots of hype about the needs of the workers, but almost no amenities and precious little upkeep.  Things were clean, but not really “cared for.”  On the streets, for instance, were battalions of old women sweeping the gutters with old-fashioned besoms, but there were almost no cars on the roadways and nothing in the shops.  Consumer goods were virtually nonexistent.

There was a wry joke told by Russians in the bad old days (see my post “Short Takes: Russian Jokes,” 28 May 2010).  It goes like this:

A man sees a woman carrying a bag of toilet paper down the street.

“Hey, lady,” he shouts, “where did you buy all that?”

“Buy it?  Are you nuts?  You can’t buy toilet paper these days!  These rolls are five years old.  I’m just getting them back from the cleaners.”

I can’t even tell you how many times someone came up to us in both Moscow and Leningrad with the offer: “I can buy pen-ball!”  They meant ‘ballpoint pen’ (stylo in most Western European countries), which weren’t commonly available in the USSR.  If you brought a supply with you, you could get a lot in trade for them.  (This contrasted with what we encountered in Warsaw, where we were inundated with enticements to exchange currency.)

On the streets, two other things locals did that were notable was, first, stare.  Sometimes they’d even follow us around for a couple of blocks, just watching us.  They might have been being vigilant about Western foreigners in their city, but mostly it was just naked curiosity.  And they had no compunction about being blatant.

I had some acerbic remarks about Russian manners in my journal—I said they didn’t believe in them—but I’ll leave further discussion of this aspect of my visit until I transcribe the whole account.  I also wrote down “my thoughts on the Russian people”!

(Years later, when my parents made a trip to the USSR, my dad had a similar experience—except with a really funny addition.  He recounted this to me when my folks stopped in Berlin on their way home after the visit east.

(A man began following my folks as they were window shopping in central Moscow.  He stayed a few yards back, but he stared intently at them and kept following wherever they went.  Finally, he approached and came up to my father, who in those days had white hair and wore a beard. 

(“You Kheming-vay,” he said questioningly in a heavy Russian accent.  There’s no H or W in the Russian alphabet, so they come out Kh, like clearing your throat, and V.  “No, Hemingway’s dead,” replied my father.  “Yes, but you Kheming-vay!” the man insisted.  My dad bought a set of Hemingway stories in Russian and gave it to me when we saw one another afterwards.)

The second thing that Russians did on the streets that struck me was come up to us and try to engage us in English.  If they’d been learning English at all, they wanted to practice, and they weren’t shy about approaching compete strangers.  (I guess to Russians in the ’60s, any Western foreigner was an American and spoke English.  That we were a bunch of international students wasn’t a factor.)

Two aspects of this were odd.  One was that all those people wanted to do was show off their English—not have a conversation of any kind.  (We encountered a guy in Leningrad who did the same thing in French.)  They weren’t curious about us at all: they had a spiel and they delivered it. 

The other thing was that at that time in the USSR, unauthorized contact with foreigners was suspect.  The kind of thing that these people were doing, as innocent as it was, could get them arrested.  And that’s no joke or exaggeration.

I’m reminded of two stories bearing on this truth about life in the communist East during the Cold War.  Both these incidents were on my mind while I was traveling in the Soviet Union,  One was about a friend of mine in Washington, a boy I grew up and went to school with.  A few years before I went to Russia, Jim had gone with a high school group.  He was somewhere in downtown Moscow, on the street, and he stopped to take some snapshots of the street scene.

A pair of cops swooped down on him—he’d have been all of about 15 or 16—and took him into custody and relieved him of his camera.  He was interrogated for a short while, but the authorities never told him what he’d done.  Eventually, they released him, returned his camera, but kept the film he’d been shooting.  We eventually surmised that he’d unknowingly taken pictures of something the Soviet government didn’t want him to, possibly a police station or something of that sort—hence the confiscation of his exposed film.

The second incident concerned a member of the embassy or consular staff that Dad knew or knew about.  She had taken leave and made a trip to Eastern Europe.  At one stop, she wrote a postcard to a friend and said, in what turned out to be an ill-advised joke, that she had seen the light and was going to stay in the Workers’ Paradise.  She was pulled off a tour bus, detained, and questioned. 

The authorities had obviously read her postcard and, as the commie officials had no sense of humor, especially about political matters, either decided to throw a scare into the woman just because they could or actually thought she might be up to something nefarious.  She was truly afraid that she might not get out of Eastern Europe—a feeling I later came to understand quite palpably myself.

The stay in Moscow included other events, such as an evening at a circus.  Moscow circuses are world famous, for several reasons of which the quality of the acts is only one.  First, Russian circuses aren’t all traveling ones, like they are in the U.S. and even Western Europe.  Many perform in permanent buildings, not tents, and have remained in their home bases for decades, even centuries. 

The acts are fairly traditional—acrobats, animal acts, clowns, and so on—but there are real stars among them, attractions that Russians from all over the country come to see.  I’m not a great lover of circuses—I’ve been to a Cirque du Soleil once and that’s enough for me—but the phenomenon of the Moscow circus was fascinating.

One attraction in Moscow of which I took advantage was the Beryozka store.  These were a chain of state-run retail stores in the Soviet Union that sold goods in exchange for “hard” (that is, Western) currency.  You couldn’t spend rubles at a Beryozka—only dollars, francs, Westmarks (not Ostmarks, the money of East Germany), pounds, or several other Western currencies.  (In China, they had Friendship Stores which served the same purpose.)

Beryozkas—which is Russian for ‘little birch tree,’ though I have no idea why—sold everything Russian from cheesy souvenirs to luxury goods—furs were popular—even caviar and Russian champagne.  It was useful, at least to me and some of my schoolmates, because we could buy some of our souvenirs without having to purchase rubles at the official exchange kiosks.  I bought some souvenirs, mostly folk art pieces that I ended up giving as house gifts, and an ushanka, the familiar Russian fur hat with ear flaps that I wore for years against the bitter cold and as a ski hat.

Aside from the inflated exchange rate, set artificially by the Soviet government, there were other issues with buying rubles.  The Soviet ruble was set at about $1.10 (though the purchasing power of a ruble was really about a Swiss franc—around 23¢).  You could do better on the black market, but if you got caught doing that, or with rubles for which you didn’t have the exchange receipts, you could be arrested or at least have the money confiscated.

Without the official exchange documents to prove that you made the currency purchases at an authorized exchange bureau, you also can’t turn the rubles back into dollars or francs when you leave the country.  Since you can’t leave the Soviet Union with rubles, you have to spend the undocumented currency or lose it at the customs check on the way out of the country.  Believe me, I learned this lesson very clearly.

In Moscow, my roommate, Mark Dyen; our friend, David; and I were supposed to meet David’s pen-pal [see Part 2].  She was a student at a Moscow university—I forget which one now, as well as what she was studying—but our schedule kept changing and we couldn’t get together. 

The changing schedule was a tactic the Soviets used to keep Westerners like us from making contact with local citizens.  The same gambit was used with a Polish artist my parents had gotten to know in Washington.  He’d been allowed to travel to West Germany and my folks had arranged to meet with him—except his itinerary changed at the last minute and they couldn’t link up.  They did eventually manage to get together somewhere in Germany, but it took several tries.

Just like the artist and my parents, we did ultimately connect with the pen-pal—in Kiev, where she was from.

In the whirlwind of the visit to Moscow, our Ecolint chaperone forgot about the call on the Hungarian embassy regarding my visa.  I forgot, too, and didn’t remember until we were en route to Leningrad via an Aeroflot flight to Shosseynaya Airport (renamed Pulkovo Airport in 1973).  We left Moscow at around 10:30 on the morning of 16 April, arriving in Leningrad an hour-and-a-quarter later.

We immediately tried to get the visa at the Hungarian consulate in Leningrad, but there wasn’t enough time before we moved on to Kiev.  Of course, we tried again at the consulate there, but to no avail.  I was stuck: without a visa, I couldn’t accompany the group to Budapest and I couldn’t pass through Hungary on the train, either.  All I could do was fly over the country directly from Kiev to Vienna, where I’d have to wait for the group to catch up with me.  My comment on this development in my travel journal is: “What a crapped-up job!”

Two things happened to me on the plane to Leningrad.  One was that I discovered that Russians made delicious hard candy.  The stewardesses passed it out liberally on the flight, and it was really tasty.  The other was that my seatmate, a middle-aged Russian lady, was very friendly.  She was taken with all these foreign young people around her and we got to talking a little.  I don’t recall that she spoke any English, so I was trying out my very limited Russian.  Fortunately, it was only about an hour-and-a-half to fly from Moscow to Leningrad, but when we were getting set to get off the plane, the woman told me I had an excellent Russian accent.  Made my day!

In Leningrad, arguably the most curious experience was visiting the Hermitage Museum which houses art from the Paleolithic period (Stone Age) to the last few centuries.  The museum, started by Empress Catherine the Great (1729-96) in 1764, comprises six buildings, including the Winter Palace, the former main residence of Russian tsars. 

However, there’s one specific collection that was the most intriguing during the Soviet period.  It’s a collection of works by the Impressionists and early 20th-century artists, particularly Henri Matisse (1869-1954) and Pablo Picasso (1881-1973), but much of it was kept hidden during the Soviet era because it was regarded as decadent.  We got to see it—I guess our Intourist minders figured we were already corrupted by this time—and two things astounded me.  Well, three if you count the effect the art itself had on me; this is the art period that I love the most, from the Impressionists through the Post-Impressionists to the early 20th-century moderns.

The other two facts of this collection that struck me were, first, the fact that it existed, that the stolid, artistically hide-bound Soviet Union owned such a collection of magnificent art.  I don’t know how many pieces of art were in this secret stash—we only got to see a small section of the hidden art—but it was a stunning collection.  The hidden art contained, alongside paintings by Matisse and Picasso, works by Paul Gauguin (1848-1903), Vincent van Gogh (1853-90), and others.

Striking fact number two: this art, as wonderful and moving as it is, was hidden away from public view, and had been for decades.  Of all the atrocities of the Soviet regime, this one was probably not very consequential, but it was still painful to contemplate—saddening and disheartening.

(A peculiar fact about Leningrad:  It’s the only city I can think of where someone could have been alive for all of its historical names.  If a man was born in, say 1906, he’d have been born in Saint Petersburg.  If he lived till he was 85, he’d have lived in Petrograd, the city’s name from 1914 to 1924; then Leningrad, 1924 to 1991; and finally Saint Petersburg again in ’91.  That’s three name-changes over a lifetime.)

In our wanderings around Leningrad—as well as Moscow and Kiev—we stopped at shops and several cafés and restaurants.  In my ignorance at the time, I didn’t make much of this freedom of movement, but in retrospect, I’m surprised we were let loose in the Soviet cities so freely.

There’s a peculiarly Russian thing about the cafés, by the way.  All over Europe, both East and West, people drink tea from glasses.  (The Brits use cups or mugs, but on the Continent, it’s almost always a glass.)  But only in Russia, as far as I ever saw, do they also drink coffee from a glass.  It might be an ordinary glass, or a glass with a handle like a mug, or a glass fitted into a metal holder with a handle—but it’s always a glass of coffee.

Russians also had two other unique habits connected with tea- and coffee-drinking.  Their sugar cubes are very hard—they don’t dissolve easily, even in hot liquid.  So many Russians hold the cube between their teeth as they sip the tea or coffee so that it dissolves the sugar as it goes into their mouths.  The side-effect of this habit is many Russians with rotten front teeth.

The other practice, only for tea, is to sweeten the tea not with sugar at all, but with jam.  The drinker puts a spoonful of fruit jam in the glass and gets a taste of not just sweetened tea, but fruit-flavored tea.  This is a practice of mostly peasants and laborers for whom sugar is a great expense—and, in the Soviet Union, hard to get.

(As long as we’re on the subject of Russian tea-drinking, let me say a word about the ubiquitous samovar.  First of all, samovars are for tea, not any other drink.  They’re not a Russian equivalent to a hot-drink urn.  Second, the large reservoir isn’t for the tea—it’s filled with hot water.  The little pot on top holds tea essence (essentially very, very strong tea), kept hot by the water in the samovar.  The drinkers pour a small amount of the tea essence into a glass, then add hot water from the samovar to dilute it to their taste.) 

Having failed to obtain my Hungarian visa in Leningrad, I flew with the group to Kiev, the capital of the Ukrainian Soviet Socialist Republic, a constituent republic of Union of Soviet Socialist Republics.  We left Leningrad on 19 April at quarter of noon and probably flew Aeroflot into Boryspil Airport, but I’m not sure anymore.  We landed in Kiev at five after one that afternoon and went from the airport to the Hotel Intourist where we were staying.

(A note about the Ukraine: my paternal grandfather’s family came from there around the turn of the 20th century when it was part of the Russian Empire.  My grandfather was born in Uman, a small city 130 miles south of Kiev, in 1890.  In 1897, when my grandfather was 7, it had a population of about 30,000.  Uman had a large Jewish community of about 17,000 until 1941, when the Nazis captured the city and slaughtered or transported all the Jews.  My grandfather’s family emigrated to the United States between 1897 and 1901.)

In addition to our seeing most of the tourist sights in this middle-sized city (population in 1965: 1.4 million), David was engaged in making contact with his pen-pal.  This time, he was successful—she lived near Kiev and took a break from her university in Moscow—and the three of us went off to meet her before dinner the evening we arrived. 

We met at the apartment of a friend of hers.  This whole episode was unusual because, not only did we contrive to meet, but we were successful and we met at a private residence.  How we, a trio of foreign teenagers, managed to accomplish that, I have no idea.  I suppose it was just a matter of dumb luck: we didn’t know any better, so we just did it!  (I can tell you that the fate of my friend Jim was not on my mind at this moment, or I would have been very frightened, I’m sure.)

The correspondent and her friend—and, I recall, another young man—and the three of us sat in the apartment living room and talked.  I’m sure some kind of (non-alcoholic) refreshment and perhaps even a snack was offered; no European, including Russians, would entertain visitors in their homes, even total strangers, without serving something.

Then, after introducing ourselves—David’s pen-pal knew we were accompanying him, but she didn’t know who we were—we started talking.  We started off talking about literature, Khrushchev, who’d been deposed as Soviet leader in October 1964, and a range of other subjects.  Then the questions we fielded got far more curious than any casual conversation we’d been having.  The conversation was in English; all three students had been learning English—practically a requirement for Soviet university students in those days.

The first things that David’s correspondent brought up was the social situation in the U.S. as they had learned about it.  “Is it true,” she asked, “that there are lines of unemployed in all the cities where the workers collect their few pennies?”  They also asked about the children as young as 8 working in the factories.

Mark and I practically gasped!  This is actually what she and her peers were being taught in school—including university.  We explained that her image was from the Depression, 30 year ago.  She had probably been seeing old newsreels or movies like The Grapes of Wrath and told they were current events! 

I don’t know if she believed us or dismissed our explanations and protests as propaganda and the naïvete of youth, but we moved on.

As I mentioned earlier, Barry Goldwater’s candidacy had worried Europeans of all stripes.  Soviet university students were no exception.  The first thing they wanted to know was how a man could be nominated by his party like Goldwater and then not win.  They literally couldn’t comprehend the U.S. political system, especially the notion of primary elections and party nominations.

Back in Germany, my father was having the same problem.  The Germans with whom he dealt as Information Center (that is, Amerika Haus) Director didn’t understand the whole electoral system in the United States.  (Almost all European democracies had parliamentary systems in which the country’s political leader takes office—prime minister, chancellor—when his party wins a majority in the legislature.)  Dad was regularly called upon to explain our system to, I’m sure, limited success.)

The Soviet system, of course, was different from both ours here in the States and the one common to parliamentary democracies.  In the communist world, no candidate was named unless chosen by the central party establishment.  There was no opposition party to put up a rival candidate, and if there was any opposition within the ruling party, it was settled internally (sometimes by violence or punitive means) out of sight of the public.

The premiership, usually the same as the General Secretaryship of the Communist Party, wasn’t elected at all, not even in a show election.  I mean, of course, a “popular” election; the Politburo selected the country’s leader, sometimes ousting the existing leader (Leonid Brezhnev [1906-82] succeeding Khrushchev in 1964) and sometimes after his death (Yuri Andropov [1914-84] succeeding Brezhnev in 1982).

In other words, there was no such thing as a losing candidate, since the election’s outcome was predetermined and only one candidate was on the ballot.  So how could a Barry Goldwater even exist?  We tried our best to explain how this worked, but I didn’t know how successful we were.  It didn’t help, I’m sure, that we were all only about 17 years old—and only two of us were American—so none of us was even eligible to vote.  Besides, anything we told our friend’s pen-pal could be written off as propaganda.

If it hadn’t been so absurd—less Kafkaesque, perhaps, than Beckettian—it might have been frightening.  I mean, here were three university students, presumably members of the Soviet intellectual elite, believing things that weren’t only untrue but based on a 30-year-old catastrophe—what’s more, a worldwide catastrophe that affected even Europe. 

As far as the differences in our political systems were concerned . . . well, that, as I observed, was pretty commonly misunderstood.  One didn’t have to be indoctrinated in Marxist-Stalinism to be confounded by that.  But the international fear of a potential Goldwater presidency, generated to a great extent by internal American partisan propaganda—that “Daisy” commercial was terrifying in 1964—was unnerving. 

Then it came time to leave Kiev—and things got sticky for me.  I remind readers again that I was all of 18 and spoke a tiny bit of Russian and no Ukrainian.  With no more luck with the Hungarian visa in Kiev than we had in Leningrad, the Ecolint group had no choice but to get me on a plane non-stop to Vienna. 

With the intervention of Intourist, which was responsible for all such tourist matters, I had a seat for the day after the group left by train for Budapest early in the morning of 20 April. 

While I had an Intourist agent to look after/keep tabs on me in Kiev after the school group left, I’d be solo in Vienna.  That didn’t faze me because, first, I was used to traveling in Europe on my own by this time, I wasn’t a little boy at 18, and I spoke German by this time.  In addition, should the need arise, I could always go to the U.S. embassy in Vienna and have them contact my dad at the embassy in Bonn, where he was by this date posted (explanation shortly).

There was little I could do in Kiev for the half day or so when I was on my own.  The Intourist agent didn’t stay with me; she just checked in in the morning and made arrangements to pick me up that afternoon to get to the airport for my flight.  So I just walked around in the area of the hotel.

Window shopping was all I could do because the first consequence of this ad hoc plan became clear almost immediately.  I had little pocket money.  After purchasing the plane ticket, the group leader collected all the remaining rubles—they wouldn’t be needing them anymore since you can’t take them out of the Soviet Union and, even if you did, you can’t spend them since no one in the West accepts Soviet Bloc currency, and you can’t exchange them for schillings or any other Western money—and turned them over to me.  But it was just a few rubles, enough for me to buy some lunch and something to drink later while I was waiting for my plane.

So I wandered around and amused myself—or assuaged myself, if you prefer—by singing the Beatles’ “A Hard Day’s Night” over and over.  The movie had only been released in Europe in July 1964, less than a year before the trip to Eastern Europe.  The songs from the film were in all our heads—probably with the help of Keats French and his rock ’n’ roll guitar.

I had reservations on a direct flight to Vienna at noon on 21 April.  At the Kiev airport, I went through the check-in procedure without a hitch—after all, I had my very own Intourist minder with me!  Then I asked about exchanging the 16 rubles I had left for Austrian schillings or dollars.  That was $17.60 at the official exchange rate (more than I’d get selling rubles back for hard currency) or about 440 schillings.

But as far as reconverting the rubles, I was SOL.  The Ecolint chaperone had also kept all the exchange receipts from when the rubles had been purchased, so I had no legal proof that I had gotten them legitimately and not on the black market—so I couldn’t convert them back.  My minder advised me that I’d have to spend them in the airport or surrender them at customs.

The Kiev airport in 1965 didn’t have a shopping concourse or anything like a duty-free area—it would be bourgeois and capitalistic—so I was relegated to cruising the snack bars and souvenir stands.  I was on my way, albeit circuitously, to my parents’ new home in Bonn, so I ended up buying a bottle of Russian champaign (shampanskoye), two bottles of vodka, and a couple of jars of caviar (ikra). 

Then the second scary bit of info came up.  Without currency declarations attesting to the Western cash I’d brought into the country with me, the customs people could seize my few dollars, leaving me with nothing when I got to Vienna on my own.  They decided to waive that regulation and left me my dollars.

That left me with a few coins as souvenirs, long since gone.  (After drinking the champaign, I kept the bottle for a year or so, but it sat on a shelf at the foot of my bed in my freshman college dorm room, and one night, I kicked it over and broke it.)

When I got to customs, after the Intourist minder had left me, the environment changed.  The agents went through everything.  I suspect they saw my official passport and decided to be hyper-diligent.  They made me open every bag, including my camera bag.  I smoked a pipe in those days, and they not only opened my tin of tobacco, but actually rooted around in the tobacco itself.  (Maybe I had diamonds or microfilm in there!)

Many of us had shopped in poster stores in Leningrad and I bought “lots of” propaganda posters as souvenirs—they were really fascinating both artistically and politically—and they were rolled up and wrapped in brown paper by the store clerk.  The customs agents made me open the roll and unravel every one of the posters. 

They had words over them, as if they had to decide if I should be allowed to take the posters out of the country with me.  As if the store hadn’t sold them to me openly and legally!  What?  I was smuggling anti-capitalist, anti-religion, anti-Nazi propaganda into the West?

I had also bought some classical records for my father.  (Soviet records were peculiar: they had recordings only on one side; the other side was blank—no grooves!)  The customs guys examined these as well.  I guess they suspected I might be secreting coded messages in the music or something.  The camera bag got the same level of scrutiny; thank goodness they didn’t expose all the film I had—just out of orneriness.

Well, I made it out of the Soviet Union, which I was never sure I would.  I had visions, not so much of being stuck in the airport in some kind of limbo (like Tom Hanks in 2004’s The Terminal), but of being hauled off to a jail in Kiev or some place and forgotten forever.  Now I was thinking of my friend Jim and the embassy/consular secretary pulled off a bus.

The group’s visit to the Hungarian capital was overnight, so I’d arrive in Vienna before them and be on my own for several hours.  I arrived about 1 p.m. on the afternoon of the 21st (it’s about a two-hour flight, but Vienna is an hour earlier than Kiev) and went to the Hotel Schönbrunn where the Ecolint group was supposed to meet me on the evening of the 22nd.

I was relieved to get to Vienna—Austria was a relatively free country and, as I’ve said, I spoke German by then, so I could get around and talk to people.  I still had almost no cash, however, until the group arrived in town some hours after I did.  So I walked around Vienna this time and sang “Hard Day’s Night” some more!  To this day, I can’t hear that song—which I still love like most Beatles tunes—without flashing back to that spring trip to Warsaw, Moscow, Leningrad, Kiev, and Vienna . . . but not Budapest; I never got there.

The Ecolint group arrived at about 7 in the evening and joined me at the hotel.  The trip ended as planned and we all went our separate ways to finish up the spring vacation.  The group took the train back to Geneva by way of Zürich on the evening of the 23rd; I flew back to Germany to spend the rest of the break with my folks.

I flew into Cologne Bonn Airport where my parents met me.  I’d arranged before we left Geneva to fly home from Vienna instead of going back to Geneva with the group.  We drove to Bad Godesberg, the district of the West German capital of Bonn where many foreign embassies, including the Embassy of the United States, were located, and our new residence.

This home wasn’t the house in Koblenz where we’d been living since my father started this assignment in 1962.  (Looking back, I was a little like the kid who comes home from summer camp and finds that his parents had moved.  Except, of course, that I knew this was going to happen.) 

In late March 1965, Dad had been transferred from the Amerika Haus in Koblenz to the U.S. embassy in Bad Godesberg.  From Information Center Director, Dad was now Cultural Affairs Officer, informally the Cultural Attaché. 

Our new home was a three-bedroom apartment in the garden-apartment complex in Plittersdorf, a section of Bad Godesberg, that was the site of the U.S. embassy residence compound.  When we arrived at the apartment, my parents had to attend a function and they left me to unpack and rest until they returned in the early evening. 

The apartment was festooned with hand-made banners and other decorations to welcome me home.  I put the champaign and caviar in the fridge and put the vodka in the freezer (Russians drink vodka literally ice cold from a little glass called a ryumka, a bit larger than a shot glass), and waited for my folks to get back.  When they did, we had a little celebration en famille and I told them about the trip east.  I had called them from Vienna, so they already knew about the adventure in Kiev; of course, they’d also known about the visa problem when it surfaced while I was still in Geneva.

There wasn’t much left of the vacation, so I was soon on my way back to Geneva by air on 26 April for the remainder of the spring term—the end of my last semester in high school.  With my dad’s new job, he also shifted from the Consular Corps to the Diplomatic Corps (we all got those black-covered dip cards—mine came in July).  A three-week family trip driving around Spain in July and August ’66 was the first time I used my new passport for more than just coming and going.  (I now had diplomatic immunity—not that I ever invoked it, but it was neat to know I had it.)

[I said above that I’m contemplating posting the travel journal I kept on this trip to Eastern Europe and the USSR—or excerpts from it—on Rick On Theater in the future.  I still plan to do that, though I don’t know how soon.  (I also pointed out that I have two other travel logs—a trip to the People’s Republic of China and one to Israel and Egypt—and I may post those first since I’ve just given ROTters a taste of the Russia trip.)

[A word or two about the travel journals: I used to have them in my apartment within easy reach because, when I taught a writing class at New York University in the 1980s, I used excerpts from them as examples of journal writing for my unit on that topic.  At some point, I seem to have put the booklets in a storage trunk, probably when I stopped teaching, and the trunk went into my building’s basement storage room.  They were effectively inaccessible, at least without help.

[When I started Rick On Theater 12 years ago, I thought the journals would render some good material for posts—but I couldn’t find them where I used to keep them here in the apartment.  I looked on my list of items stored in the trunks, but I’d apparently neglected to make note of the journals when I stashed them.  So for years now, I’ve been wanting to get at the trunks to see if the journals were there, and this week, I finally made arrangements to do that.

[Lo and behold! there they were, three precious little notebooks.  (I also found some other related stuff I didn’t even remember that I’d kept, including old passports—visas and entrance/exit stamps, when the customs people put them in, are useful for dates and even border-crossing points.) 

[Now I’m prepared to transcribe the journals and annotate them as necessary for posting in the blog.  For me, the journals will be a trip into nostalgia—just like this memoir has been; for you all—well, I don’t know.  I hope you’ll find them an interesting look back at times past in far-off and exotic places.  (The Russia visit was 56 years ago, when I was 18 years old; China and the Middle East were 41 and 39 years ago.)

[Now, “Going to a Swiss International School, Part 6” will be published here on 14 May.  That’ll conclude my memoir of the life of a Swiss international schoolboy.  It starts upon my return to Geneva for the remainder of the spring term of my senior year of high school and graduation from the International School of Geneva.  Please return to ROT for the final installment of “Going to a Swiss International School.”]