Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

20 August 2026

New York Fire Hydrants

 

A Special Installment of “A Helluva Town”

[New Yorkers looking for ways to beat the heat in the summer often turn to opening city fire hydrants to create impromptu sprinklers.  This has been one longtime tradition.  But is that water safe to swim in—or drink?  And what risks can come with opening a hydrant? 

[Opening hydrants occurs in other major U.S. cities like Philadelphia and Chicago.  New York City, however, stands out because it formally regulates and legalizes the practice.  While other municipalities crack down on and strictly prohibit unauthorized hydrant opening, the Big Apple has institutionalized a way for residents to do it safely.

[The Philadelphia Water and Fire Departments strictly ban recreational hydrant opening, viewing it as a dangerous hazard that drops water pressure for firefighting and risks street or basement flooding.  Instead of issuing spray caps (a policy Philly phased out), the city directs residents to official public pools and city-operated “spraygrounds.”

[Chicago residents in neighborhoods far from Lake Michigan (such as the South and West Sides) still pop hydrants informally during severe heatwaves.  The city, however, aggressively discourages or locks down units due to risks of low water pressure in upper floors and flooded basements, relying on official park district cooling centers and pools rather than sanctioned hydrant attachments.

[Incidentally, Los Angeles doesn’t have a recreational hydrant-opening culture like New York City at all.  While LA suffers from intense summer heatwaves, the city doesn’t offer a spray cap program.  (The only notable hydrant-tampering in LA occurs in high-density encampments, like Skid Row, where individuals sometimes illegally tap hydrants for basic sanitation, drinking water, or bathing.  The city, however, aggressively locks down these units.)

[NY1’s Dean Meminger spoke with New York City officials about the safety concerns surrounding open fire hydrants and whether they want to put a damper on the summertime tradition.]

IS IT SAFE TO COOL OFF UNDER AN OPEN FIRE HYDRANT?”

by Dean Meminger

[Anchor Meminger’s human interest story aired on Spectrum Cable’s NY1 News on 20 August 2026.]

NY1’s Dean Meminger hits the streets to explore how the tradition began, hear from New Yorkers who grew up cooling off in hydrant water, and find out who really controls the city’s hydrants — the city or the people?

CHAPTER 1: INTRO TO NYC’S HYDRANT CULTURE

Dean Meminger, NY1 News: On a hot summer day in the city, you’re guaranteed to see people cooling off in hydrant water. Thousands of gallons of water just splashing on people, keeping them nice and cool when the temperatures are 90 and above.

Now, if you grew up in the city like I did—I’m born and raised here—perhaps you remember cooling off in this water. Thousands of gallons of water just spraying all over everybody.

Now, the city tries to discourage that. They actually give people [MUSIC] the caps to put on the water so that they don’t waste. so much of it. Full blast is dangerous.

Don’t just open the hydrants. It’s illegal to just open them like that. If every hydrant had this [SHOWS A SPRINKLER CAP] on it, we wouldn’t have pressure problems in the buildings.

I’m going to dive into this issue to find out how the tradition started. I’m going to speak to people who are actually turning on the hydrants and those playing in the water to see what they know. I will also speak to city officials to find out what they’re doing to make sure people are doing it safely.

So, now I’m on a mission to find out who controls the hydrants in our city. The city or the people? Let’s go.

So, first, let’s rewind. How did the summer tradition of opening a fire hydrant even begin in the first place?

CHAPTER 2: HISTORY OF OPENING FIRE HYDRANTS

Lilly Tuttle, Museum of the City of New York, Senior Curator for the Collection: I can tell you—kids were doing it in the 1930s—that there was an issue around 1933, of actually [MUSIC] an uprising, sort of a protest because the fire department shut off the water.

[On 9 June 1933, in the Hell’s Kitchen neighborhood of Manhattan (part of Midtown West’s Theatre District), during a brutal heatwave, approximately 400 neighborhood children and teenagers wearing bathing suits, swimming trunks, and improvised underclothes, marched through the streets and used wrenches to crack open neighborhood hydrants, placing sticks in the nozzles to spray the water skyward.

[Temperatures in New York City climbed aggressively into the mid-to-high 90’s Fahrenheit with oppressive humidity, creating suffocating, greenhouse-like conditions inside the city’s un-air-conditioned brick tenements. It was described by contemporary news reports as “stifling” and “stifling heat” across Manhattan.

[NYPD officers marched through the neighborhood with wrenches to systematically shut down the open fireplugs, the neighborhood youth revolted. Outraged at losing their only relief from the sweltering heat, the crowd of kids marched directly to the West 47th Street Police Station to stage a boisterous demonstration against the police crackdown.

[This 1933 protest marked the first time the city’s informal hydrant culture escalated into organized civil defiance, setting off a multi-decade battle between residents seeking cooling and helmet-wearing police officers that ultimately forced NYC to invent the modern “spray cap” system, which arose in the 1950s.]

Historically, not every [MUSIC] New York City neighborhood has had sort of an even distribution of [MUSIC] playgrounds and sort of recreational infrastructure.

And so definitely, the hydrant is kind of a creative workaround.

Meminger: Opening fire hydrants in New York has been a part of its history for a long time. Now let’s see what city residents have to say about it.

CHAPTER 3: WHAT NEW YORKERS THINK OF OPENING HYDRANTS

Man in the Street by a Hydrant: For those that’re not close to the pool or to the beach, this is your beach.

Muslim Woman on Sidewalk (heavy accent): I grew up in the lower east side in Manhattan near Fifth Street. To be a swimming pool day because they are but yeah, we playing the hydrants and now my children are enjoying it

Meminger: How cold or cool is that water?

Little Girl: Really cold and I really like it!

Young Man: You know what we in the city and I feel like—if there’s a way for kids to have fun in a safe manner without having to go somewhere far, let them have [MUSIC] their fun

Another Young Man: People in the heat got to find a way to survive the heat

Meminger: And what do you remember about playing in the hydrant as a kid?

Older Man in a Wheelchair: This [LEANS OVER AND SPLASHES MEMINGER. THEY LAUGH]. 

Meminger: So, this is the situation that city officials are trying to discourage.

[MUSIC] We’re driving across the Bronx and we see this hydrant open. No one’s cooling off. Thousands and thousands of gallons of water just wasted. And as we walk right over here, we actually see the cap in the corner. So, someone took it off maybe to cool off, but they put the cap over here. That water is being wasted.

CHAPTER 4: WHAT THE CITY SAYS ABOUT OPENING HYDRANTS

But what does the FDNY think about open hydrants?

Tim Keenan, FDNY Deputy Assistant Chief, Traditionally, right, we do cool off in the fire hydrants in New York City. Right, that’s been going on for many years. In fact, I’m on the job almost 30 years and we’ve had sprinkler caps for hydrants since I first got on the job.

Okay, but where the problem comes in is if people don’t use the sprinkler caps. If they just turn the hydrant on and they let the water just free-flow in the street, that can pose a problem to us.

New York City’s water grid is a gravity-fed system. primarily a gravity-fed system with water coming down aqueducts from upstate and so there’s no quick way to just turn up the pressure. So if we get a lot of hydrants open in the city, it reduces the water pressure and the volume of water.

The best way to do it is with the sprinkler cap. There’s a lot of advantages if you come to a firehouse. They’re available at every firehouse citywide. We have 200 firehouses in the city. Anyone 18 years or older can come to the firehouse and get a spray cap.

Meminger: Have fun, but be safe.

Keenan: Have fun but be safe, right? We want everybody to enjoy. We want everybody to be cool.

Meminger: After speaking directly to firefighters, people who need to cool off, and seeing the issues with open hydrants, we decided to go directly [MUSIC] to the city’s Department of Environmental Protection or DEP.

Lisa F. Garcia, Commissioner of NYC DEP: I know how much it means to the community. Um, for us in the Bronx, it was like we knew this is part of our summer fun. And what I love about this program of the spray caps is we’re not saying don’t turn on the hydrant.

This is understanding the culture [MUSIC] of summer in New York. So, we want you to be able to turn on that hydrant, but use a spray cap so we’re not [MUSIC] wasting water. The fire department has the right pressure, right? And the community and we . . . the kids can still run around in that sprinkler of water and cool [MUSIC] off.

We’re not saying no to using your hydrant. So, come to us, to the fire department. We want to work with you to make sure you can still enjoy it.

Meminger: When it comes to water coming out of the hydrant . . .?

Garcia: Yeah.

Meminger: . . . is it safe to drink that water if it’s been running for a while?

Garcia: Yes. Yeah. So, the water that’s going to come out of the spray cap is delivered from the same water tunnels that come from the reservoirs all the way upstate. So, we maintain 19 reservoirs starting in the Catskills. So, [MUSIC] think of it like . . . almost like natural spring water from the mountains that’s preserved. So it’s . . . it is clean drinking water.

We make sure to sample it and test it. Make sure that you are enjoying the best drinking water I think in the world.

Meminger: So this was a gadget that in the Bronx they made up [LOOKING AT AN IMPROVISED DEVICE INSTALLED ON A HYDRANT]. They actually did some plumbing and they have their [MUSIC] own cut off valve on it to make it spray. I mean people are coming up with their own concept . . . .

Garcia: Yes, we appreciate the imaginative solutions.

Meminger: So they put a . . . they put a PVC pipe and then ran it up [ANOTHER IMPROVISED SPRAY DEVICE]. So, it’s like a shower.

Garcia: Wow. But that’s kind of like a sprinkler part. The . . . Okay, these folks should be sending [MUSIC], their creative ideas to us so we can figure out is this really reducing the amount of gallons we’re using per minute. And like again, this is [MUSIC] safer because the kids can play on the sidewalk.

Meminger: Yeah. So, maybe we’re very creative.

Garcia: So, maybe we can have like a contest. For now, we want to use the ones that have already been certified and authorized, but we could continue [MUSIC] to think of ways to work with communities. Like, ‘What works for you?’

CHAPTER 5: WHO REALLY CONTROLS THE HYDRANTS

Meminger: Now, with that, who really controls the hydrants?

Lilly Tuttle: The city controls the hydrants, but I think it’s amazing to think [MUSIC] about New Yorkers going out and sort of taking ownership over this piece of infrastructure, particularly on a really hot day.

Man by a Hydrant: Well, the city makes sure the water’s in there, but the people control it.

Man in Wheelchair: I believe the people control it.

Meminger: Why?

Man in Wheelchair: Because it’s too hot!

Young Man: It falls more towards the [MUSIC] people. Like there’s always a method to opening . . . .

Muslim Woman: So the city control the hydrant, but I know there’s some people that they have it. You know how it is. The Bronx it down Bronx.

Meminger: So the city may control the water and fire hydrants, but we New Yorkers know if it’s a hot summer day, we’ll always find a way to stay cool.

Hi, I’m Dean Meminger.

[Born in Harlem and raised in the Bronx, Dean Meminger, Jr., is a prominent American television journalist who serves as an anchor and criminal justice reporter for Spectrum News NY1.  Based in New York City, he has spent nearly 30 years—he joined the NY1 news team in 1997, after starting his broadcast career at BronxNet TV in 1995—covering high-profile crime, policing, and community issues across the five boroughs.

[Meminger’s reporting frequently captures the heart, history, and unique culture of New York City.  His special digging into the multigenerational tradition of opening fire hydrants is a perfect example of his ability to blend local heritage with lighthearted community reporting.]


19 July 2025

New York City: Unbearable Yet Irresistible

 

A Special Installment of “A Helluva Town”

[Many people, New Yorkers or not, remember the iconic Daily News front-page, banner headline on 30 October 1975: “Ford to City: Drop Dead.”  (Frank Van Riper’s article about President Gerald Ford’s refusal to bail the city out of its financial crisis started on page 3, but the head, accompanying a photo of our only unelected president, screamed out alone on page 1.)

[Well, these days, there’s some of that feeling making the rounds in the Big Apple again.  So, about a month ago, the New York Times ran a piece on the mixed feelings about the nation’s largest city held by many of its own residents.  It seemed like an interesting addition to my sometime series, “A Helluva Town,” so I’m posting it for you ROTters who wonder how we denizens of that city on the right coast that pretty much floats in the Atlantic Ocean off of New Jersey are coping.]

”LIFE IN A CONFOUNDING METROPOLIS”
by John Leland and Dodai Stewart 

[Leland and Stewart’s wide-ranging article ran in the New York Times of 22 June 2025 in the “Metropolitan” Section.]

Heading into the June 24 primary for mayor, New Yorkers say their city is in trouble. In four recent surveys, majorities said that the quality of life was fair or poor, that they were afraid to ride the subway at night, that housing and child care were unaffordable, and that city government and the public schools were dysfunctional.

[New York City’s 2025 mayoral primary election was a solely Democratic affair. Republican candidate, Curtis Sliwa (b. 1954; radio talk show host and founder and chief executive officer of the Guardian Angels, a nonprofit crime prevention organization) ran unopposed and automatically secured the Republican nomination. He was the Republican nominee for the 2021 election, losing to Democratic nominee Eric Adams (b. 1960; former police officer, Borough President of Brooklyn [2014-21], and New York State Senator [2007-13]).

[Adams, the incumbent mayor and former Democrat, didn’t run in the primary, choosing instead to run for re-election as an independent in the general election. In a major upset, Zohran Mamdani (b. 1991), a state assemblyman and democratic socialist, won the Democratic primary, defeating former Governor Andrew M. Cuomo (b. 1957; lawyer and politician; son of former governor Mario Cuomo [1932-2015; in office from 1975 to 1978]) by 12 percentage points. Cuomo served as Governor of New York from 2011 until his resignation in 2021.

[Also in the race were Brad Lander (b. 1969), New York City Comptroller; Adrienne Adams (b. 1960), Speaker of the New York City Council; Scott Stringer (b. 1960), former New York City Comptroller; Michael Blake (b. 1982), former New York Assemblyman; Selma Bartholomew (birthdate unknown), educator, and Paperboy Prince (b. 1993), artist and perennial candidate.

[Those who will be on the ballot this fall are:

Zohran Mamdani, the Democratic nominee
Curtis Sliwa, the Republican nominee
Eric Adams, the incumbent mayor, running as an independent
Andrew Cuomo, the former governor, running as an independent
Jim Walden, a former federal prosecutor, also running as an independent

 [Election Day is scheduled for 4 November 2025.]

Yet on a muggy evening in Manhattan’s meatpacking district, that pessimism was nowhere to be found. A skateboard ramp the size of a dollar van had been erected on the cobblestone street outside an art gallery, and skateboarders showed off tricks as onlookers with tattoos, baggy pants and stylish scarves shouted encouragement.

[The venue was Gallery 23 on Little West 12th Street; the exhibit was Harold Hunter ’97, 5-9 June 2025. Hunter (1974-2006) was, as Leland and Stewart note below, a professional skateboarder and actor who had appeared in Larry Clark's 1995 film Kids. The photos were by Jonathan Mannion (b. 1970).]

Inside the exhibition space, a very “if you know, you know” collection of New Yorkers — graffiti artists, skaters, photographers, musicians — mingled, hugged and laughed in front of huge photographs of a deceased actor slash skateboard legend who was being honored. As the D.J. played a mix of old-school hip-hop and Brazilian lounge music, two bartenders mixed bespoke cocktails made from a small batch spirit splashed with a lime-and-yuzu soda. It certainly didn’t feel like a scene from a city in crisis.

[Yuzu soda is a carbonated beverage featuring yuzu, a Japanese citrus fruit that has a unique flavor profile often described as a blend of grapefruit, lemon, and tangerine.]

New York, which was hit hard as the country’s epicenter of the Covid pandemic, remains a beacon for people across the country and the world, a destination for immigrants, artists, entrepreneurs and business scions. Watchful outsiders and New Yorkers themselves anxiously question whether the city is “back” from the troubles of recent years. And every New Yorker could have a different answer about what a comeback looks like — what the city should be, and what it is right now.

“From where I’m sitting, it looks pretty good,” said Lloyd Blankfein [b. 1954], who grew up in public housing in Brooklyn and went on to run Goldman Sachs until his retirement in 2018. He compared the city today with the one of the late 1970s, when the Son of Sam serial killer terrorized locals [1975-77] and the city was on the verge of default [1975-85].

“If you had no perspective for the long view, you’d think we were in the depths of crisis,” Mr. Blankfein said. “If you take the long view of New York, it’s a straight line going up.”

The data paint a mixed picture. Subway crime is down, but the number of people in homeless shelters remains way above what it was just a few years ago. Broadway revenues smashed records this season, but one in four New Yorkers lived in poverty as of 2023, nearly double the national average.

[The 2024-25 Broadway season was a record-breaking year for revenue, reaching $1.89 billion in grosses. This surpasses the previous record of 2018-2019 season, which brought in $1.83 billion.]

In one survey, by the Center for Urban Research at the CUNY Graduate Center, 80 percent said the city was heading in the wrong direction, and 58 percent said they seriously considered moving out.

Unemployment is down from its pandemic peak, but only one in three workers in New York has a “good job” — one offering a living wage, health insurance and safe working conditions. Housing costs are astronomical — but for some people, no problem.

“People are buying,” said Penny Toepfer, a broker with more than 25 years of experience in luxury real estate. She pointed to the new Armani Residences building that opened on Madison Avenue in the fall of 2024, where apartments range from $8 million to $32 million. “It sold out,” she said.

It’s a very good time to be a broker, she said. “We’re making money. We are making money! I’m talking about big, big money.”

How the city looks, and what you want from the next mayor, depend in part on your place in the food chain, said John Mollenkopf [b. 1946; political scientist and sociologist], director of the Center for Urban Research. Though many parts of the city look fully recovered from the pandemic, the rebound has been uneven.

“One reason it is hard for those of us in upper-middle-class occupations and neighborhoods to understand this is that conditions are objectively much better in our places but that working class and poor neighborhoods are still feeling quite a bit of stress,” Mr. Mollenkopf said.

When New Yorkers emerged from their homes after the worst of Covid, Mr. Mollenkopf said, they saw a city that seemed to have slipped its reins: bicyclists flouting all traffic laws, commuters jumping turnstiles, public drinking and pot smoking, emotionally disturbed people ranting at passers-by. “There was this feeling that the city was out of control,” he said.

Valerie Iovino runs the Facebook group Moms of the Upper East Side, where 35,000 members discuss all aspects of raising children in New York. She grew up in the neighborhood and is now raising her 10-year-old daughter there.

She said she doesn’t consider the city to be in crisis currently. But if you’d asked her a year or two ago, she might have said it was. Restaurants were closing early, everyone was stressed, there were constant protests and, she said, “a very bad rat problem.”

But lately, she has felt a shift, with new businesses opening, a reduction in rats, and restaurant trash in bins, instead of on the street. She was out at 10 p.m. one night and restaurants were packed. “The city, it’s starting to be fun again,” she said. “I mean, it’s not fun like it was in the ’80s, ’90s and early 2000s. But it’s fun.”

Still, affordability, especially where families are concerned, is often top of mind for her and her fellow mothers.

“Child care is prohibitively expensive for a lot of families,” Ms. Iovino said. “And that’s why a lot of people move out of the city.”

She also pointed to some basic quality-of-life issues that she described as “lingering”: “The mental health crisis on the street, with the unhoused,” she said. “There have to be services for people who need them.” Meanwhile, her daughter’s chief complaint is “the obstacle course of dog poop.”

A few miles north of Ms. Iovino, in the South Bronx neighborhood where Pablo Muriel works as a high school dean, there are also signs of fresh development, including new high-rises. But they only add to his students’ and their parents’ feeling that they’ve been cheated. “They were promised law and order,” Mr. Muriel said. What they got was families having to double up in public housing, working two or three jobs, and a view of new buildings that are near them but not for them.

“They don’t feel that they count,” Mr. Muriel said. “A lot of them feel that society has given up on them.”

Many students have not caught up developmentally from the Covid lockdown, when schools were closed fully or partially for 18 months, Mr. Muriel said. “I have 14-year-old kids that catch tantrums as an 8-year-old, something that I never experienced before,” he said.

The city’s stresses — economic, emotional, political — come together in the subway, where a fraying infrastructure meets a surging mental health crisis. “You can’t ride the subway without at least one homeless person in your car, acting disturbing,” said Stan Lawson, a train operator for 11 years. In a survey by the Citizens Budget Commission, only 22 percent of New Yorkers said they felt safe on the subway at night.

Lately, Mr. Lawson’s work has been made even more stressful by young people surfing the trains or pulling the emergency brake. “When a conductor goes to investigate, they’ll break into the conductor’s cab and steal the bag, take the keys,” he said.

He is now contemplating the previously unthinkable: moving out of New York. “It feels like staying here is not going to be something I want to do later on,” he said.

Ting Ting, 30, a content creator and native New Yorker who lives in Flushing, Queens, also has a problem with the subway: The 7 train always seems to be under construction, and it’s way too hard to get from Queens to Brooklyn. “It’s like that empty chunk on the subway map that no one cares about,” she said.

But she said that cellphone videos of negative incidents on streets and subway create an exaggerated feeling of chaos, whereas positive aspects of living in the city don’t blow up on social media. “There are more good things in New York than bad things,” she said. And even if the subway doesn’t improve, she’s not leaving. “I have traveled to other places,” she said. “I just don’t think I can live anywhere but New York.”

Gregory Purnell, who cuts hair at the confluence of Bedford-Stuyvesant, Brownsville and East New York, in Brooklyn, knows where to take the city’s pulse. “Black barber shops are the internet of the ’hood,” he said, shaving a palm leaf into the back of a client’s head. “You go there and find out what’s going on, who’s who, this and that.”

At his shop, an unmarked door beneath two clattering elevated train lines, customers pay what they can — sometimes nothing. Mr. Purnell, 50, gives free haircuts at homeless shelters and said he sees people’s struggles but also a recent movement to create small-scale, affordable outlets — basement house parties, sober bars, vegan kitchens.

“So, little things are popping up around the city where it feels a little more underground or not as promoted,” he said. “It’s becoming more and more D.I.Y.”

Often the city’s vibrancy and its struggles live on the same blocks. Think the downtown arts boom of the ’70s, when artists and galleries reclaimed abandoned buildings of SoHo [Lower Manhattan], or hip-hop, which bloomed in a devastated South Bronx. Fast-forward to South Richmond Hill, Queens, near Kennedy Airport, where Sikh men in colorful turbans stroll through Little Guyana and new arrivals from Trinidad add a calypso beat to Little Punjab.

This churn of immigration and diversity has long been New York’s secret sauce, said Ric Burns [b. 1955; collaborated with brother Ken Burns (b. 1953) on The Civil War (1990); New York: A Documentary Film (1999-2003)], now filming a follow-up to his documentary series “New York.” As these values have come under fire in Washington, Mr. Burns said he sees New Yorkers defending them more ardently, in the same way that many embraced the city during the economic collapse of the ’70s.

[New York is a series of eight two-hour episodes. The project in progress may be episodes 9 and 10, “The Future of Cities (2000-2025),” which, according to Wikipedia, will be “A dramatic and compelling consideration of the forces that have transformed New York at the start of the 21st century: the most stunning era of growth and change, challenge and opportunity since the events of September 11th, and since the New York series’ last look at the city as a whole. The release date(s) is/are yet to be determined.]

“The forces of history are on the side of urban places,” he said. “That doesn’t mean that there’s not going to be incredible conflict, and that’s deeply upsetting to consider, and we’re right in the middle of that. But I don’t know historians who see a bleak future for New York, even in the middle of the crises that have been going on.”

Today, entrepreneurs like Alex Kwan and Mahmoud Aldeen embody this overlay of hustle and anxiety. Both 37 and friends from Pennsylvania, they run a pair of halal Asian food trucks in Queens and Manhattan called Terry and Yaki.

“The mood I see is hesitant, shaky,” Mr. Kwan said. Their employees are worried about their immigration status, and customers are sometimes sharing a $12 plate of food. “If I had a family, I would move out,” he said. “But for business, there’s no better place than New York City.”

Yet he lamented a change in the city’s mood, from the community spirit and mutual aid that arose out of Covid to a harder edge today. “It’s a little less caring about your neighbor and a little bit more caring about myself,” he said.

For all the hand-wringing about artists being priced out of New York, applications for the fine arts program at Pratt Institute [Brooklyn] are up, said Jane South [British-American; b. 1965, Manchester, England; known for large-scale installations, mixed media constructions, and fabric wall pieces], chairwoman of the department [appointed Chair of Fine Arts in 2017].

She has noticed pop-up art shows in apartments, or students forming collectives after graduation. “They generate opportunities for themselves, for others,” Ms. South said. “There’s a tremendous amount of that going on.”

Which is not to say everything is perfect. There’s the lack of affordable housing and affordable art studio space. “But in times of crisis,” Ms. South said, “art helps us make meaning when meaning feels unstable. We bear witness, we record the moment.”

And, of course, Ms. South has heard “New York is dead” before. “When I came here in 1989, that’s what people were saying: ‘Oh, you should have been here in the ’70s.’”

Ada Calhoun [b. 1976], author of the book “St. Marks Is Dead” [W. W. Norton & Company, 2015], about the often declared demise of her East Village neighborhood, has spent much of her life debunking such reports. St. Marks Place, like the rest of the city, isn’t what it once was, but it never is.

[St. Mark’s Place is a three-block stretch of East 8th Street from 3rd Avenue east to Avenue A, named for the nearby St. Mark's Church in-the-Bowery on 10th Street at Second Avenue. West of 3rd Avenue and east of Avenue B (the street is interrupted between Avenues A and B by Tompkins Square Park) the street reverts to the designation East 8th Street. 

[The Episcopal St. Mark's Church sits on the site of a family chapel built in 1660 by Peter (Petrus) Stuyvesant (c. 1610-72), governor of New Netherland from 1647 to 1664. Stuyvesant is buried beneath the chapel.]

“People in 1811 said the grid ruined the city, and it’s never going to be good again,” she said. “And they’ve always been wrong.” [Manhattan’s rectangular grid street plan was conceived in 1811 and implemented over the succeeding 60 years.]

She’s glad that her son’s East Village is safer than the one she grew up in. The musicians and struggling artists may be gone, priced out to Bushwick [Brooklyn] or Ridgewood [Queens], but there’s a new very indie bookstore and gallery [Village Works] on St. Marks where people hang out until 1 a.m.

“When people are like, ‘New York’s not that good’ — compared to what?” she said. “Oh, other places can be more livable, if you really care about the school district, or you care about comfort. But nothing is the same as New York.”

Bianca Pallaro contributed reporting.

[John Leland is a reporter covering life in New York City for the New York Times.

[Dodai Stewart is a Times reporter who writes about living in New York City, with a focus on how, and where, we gather.

[Todd Heisler is a Times photographer based in New York.  He’s been a photojournalist for more than 25 years.]


05 December 2024

Rick's Guide to New York, Part 3


A Special Installment of “A Helluva Town”  

[This section of “Rick’s Guide to New York” covers mostly various “sites of interest” in Manhattan—a tourist guide, so to speak.  They’re largely places that I think are interesting, which is not to say that there aren’t many others that are worth seeing.  “The famous places to visit are so many / Or so the guidebooks say,” as the sailors in On the Town (see Part 1) sing in “New York, New York”: this city is, after all, “a visitor’s place.”

[This is the final installment of my New York City guide, but additions to “A Helluva Town” will continue to appear from time to time as topics I find worthy of a spotlight come up.]

Willkommen! Bienvenue! Welcome!
To the Big Apple 

Some local sites of interest: There are some quite interesting things to note right around the area where I live.  For more detail and a really good guide to local historical and cultural sights, get one of the many tour books for Manhattan.  I recommend Gerard R. Wolfe’s New York: A Guide to the Metropolis (1st ed.: New York University Press, 1975; 2nd ed.: Mcgraw-Hill, 1994) which contains fascinating and well-thought-out walking tours of each Manhattan neighborhood, including SoHo, Greenwich Village, the East Village, Chelsea, and the Flatiron.

In SoHo, beside the boutiques and galleries, there are hundreds of wonderful cast-iron buildings from the 19th and 20th centuries.  Many have been restored, and it pays to look up at the façades as you pass.  A particularly good example of the architecture of the area which has been elegantly restored is the Puck Building at 295 Lafayette Street on the corner of Houston (remember: that’s HOW-ston).  You should also note the wonderful trompe-l’oeil painting by Richard Haas (muralist; b. 1936) along the east wall of 112-114 Greene Street (at Prince Street).  Look for the cat in one of the fake windows!  

Just above SoHo, across Houston Street at West Broadway in NoHo, is a small patch of land that looks like just an overgrown abandoned property.  It’s not; it’s Time Landscape by landscape artist Alan Sonfist (b. 1946), a recreation of the topography and flora of Manhattan before it was colonized by the Europeans, unveiled in 1978. 

North of NoHo is the East Village where you’ll find the late Joe Papp’s (1921-91) Public Theater at 425 Lafayette Street, formerly the Astor Library, built starting in 1849.  Across from it is Colonnade Row, built in 1833.  Just north of these is Astor Place, the site of the famous theater riot in 1849 resulting from a feud between the fans of American actor Edwin Forrest (1808-72) and his British rival, William Macready (1793-1893).  (They were performing in competing Macbeths.) 

The Astor Place subway entrance for the IRT line has been restored to resemble a Victorian kiosk.  Nearby is Cooper Union, between 3rd and 4th Avenues at Cooper Square, built in 1859.  Abraham Lincoln (1809-1865; 16th President of the United States: 1861-65) delivered his famous “Right Makes Might” speech here on 27 February 1860.  (Cooper Union, an engineering, design, and art school of some renown, charges no tuition.) 

In the midst of the Ukrainian neighborhood is McSorley’s Old Ale House at 15 East 7th Street, claiming to be the oldest saloon in the city, dating from 1854.  (See “Pete’s Tavern,” below.)  Along 2nd Avenue north of 8th Street was known as the Yiddish Rialto where most of the old Yiddish theaters of the turn of the century were located.  Some still exist now as Off-Broadway commercial houses and movie theaters. 

Along St. Mark’s Place, between 2nd and 3rd Avenues where 8th Street ought to be, are the kicky and funky boutiques of the East Village, featured in Susan Seidelman’s Desperately Seeking Susan of 1985.  At 10th Street and 2nd Avenue is St. Mark’s Church, built in 1799 in Greek Revival style which includes the burial site of Petrus (Peter) Stuyvesant (ca. 1610-72; see Part 1), and on Broadway at 10th is the Gothic Revival-style Grace Church, built in 1846.

West of 5th Avenue and centered on Sheridan Square on 7th Avenue is Greenwich Village, the historic center of New York’s artistic and bohemian life.  Washington Square Park is the hub of New York University’s (chartered in 1831) “campus”—the university owns much of the property here—and the “source” of 5th Avenue.  The famous Washington Arch, designed by Stanford White (architect; 1853-1906), was built in 1891-92. 

Nearby are two famous private streets, Macdougal Alley and Washington Mews, south of 8th Street off of Macdougal Street and 5th Avenue respectively.  Just south of Washington Square West, at 133 Macdougal Street, is the famous Provincetown Playhouse, home to early Eugene O’Neill (1888-1963) works by the Provincetown Players (founded in Provincetown, Massachusetts, on Cape Cod in 1915; moved to New York City, 1916; disbanded, 1920). 

On Washington Square South at Thompson Street is the Judson Memorial Church, built in 1892 by Stanford White.  On Washington Square East at Washington Place is an NYU building now known as the Brown Building (23-29 Washington Place); built in 1900, it was originally known as the prophetically-named Asch Building and contained the Triangle Shirtwaist Company which burned at great loss of life on 25 March 1911. 

At 8th Avenue and 14th Street, inside the subway station for the 8th Avenue IND and crosstown BMT Canarsie Lines, is one of New York City’s most unique art installations.  (You have to pay the subway fare to get in to see it—but I say it’s worth it.  Of course, you can just get off the train here if you’re using this line, check out the art, and then get back on.) 

It’s called Life Underground by sculptor Tom Otterness (b. 1952) and it comprises 140 (or more—the total seems uncertain) cast bronze statues most of which are no more than 8-10 inches tall.  They’re scattered in corners, on banisters, in the crooks of I-beams, and on ledges all over the corridors, stairways, and platforms of the two subway lines that use this station. 

Even if you’re not looking for them, you’re bound to see two or three, but it’s worth making a point of searching them out in their various hiding places.  (See my post “Tom Otterness & Life Underground,” 27 April 2011.  There are works of art of many different genres in the New York City subway system; see “A Helluva Town, Part 2,” 18 August 2011, for a run-down.)

Farther west in the Village is the High Line, an elevated linear park, greenway, and rail trail created on an abandoned New York Central Railroad spur on the west side of Manhattan in New York City.  It originates in the Meatpacking District (West 14th Street south to Gansevoort Street, and from the Hudson River east to Hudson Street.) and runs from Gansevoort Street—three blocks below 14th Street—through Chelsea to the northern edge of the West Side Yard on 34th Street near the Javits Center.  The line runs three stories above the streets, mostly 9th and 10th Avenues.

The High Line, which is a city park, so it’s free to enter, opened in phases during 2009, 2011, and 2014.  The Spur, an extension of the High Line that originally connected with the Morgan General Mail Facility at Tenth Avenue and 30th Street, opened in 2019.  The Moynihan Connector, extending east from the Spur to Moynihan Train Hall, an expansion of Pennsylvania Station into the former main post office building, the James A. Farley Building, opened in 2023.

The park's attractions include naturalized plantings, inspired by plants which grew on the disused tracks, and views of the city and the Hudson River.  The High Line also has cultural attractions as part of a long-term plan for the park to host temporary installations and performances.  There are also food vendors that sell light meals, drinks, and snacks all along the route.

There are stairs from the street level at many access points along the line’s route, plus elevators at four locations.  Information is available on the line’s website.  (I have a post, “High Line Park,” 10 October 2012, on this blog that might be informative.)

Deep in the Village, at 75½ Bedford Street, is the city’s narrowest house, only 9½ feet wide.  It was once the home of Edna St. Vincent Millay (poet and playwright; 1892-1950).  It is near the Cherry Lane Theatre (38 Commerce Street), the Village’s oldest Off-Broadway theater, built in 1923.  Also in the deepest West Village is the White Horse Tavern, at 567 Hudson Street (near 10th Street at Abingdon Square), a favorite drinking place of Dylan Thomas (Welsh poet and writer; 1914-53).  The poet died after a drinking bout here in 1953 (his last words were recorded as “Seventeen whiskies.  A record, I think”) and his ghost is said to haunt the place, rotating his favorite corner table as Thomas did in life. 

Near Sheridan Square at 165 Waverly Place is the Northern Dispensary (built in 1831), actually located at Waverly Place and Waverly Place!  (You figure it out.)  A few blocks east along Christopher Street is Gay Street, the site (and film location) of the basement apartment in My Sister Eileen (play by Joseph A. Fields [1895-1966] and Jerome Chodorov [1911-2004], 1940; film, 1955).  At 53 Christopher is the Stonewall Inn, where the gay-rights movement was born when drag queens rioted against police harassment on 28 June-3 July 1969. 

On 6th Avenue and 10th Street is the Jefferson Market Branch of the New York Public Library.  The art deco building used to be the Jefferson Market Court House, and its garden was the site of the New York Women’s House of Detention (the only art deco jail ever built).  (La MaMa founder Ellen Stewart [1919-2011] was incarcerated there a few times in the ’60s and Mae West was jailed there for indecency.)

(The women’s jail is the setting for scenes—and “10th and Greenwich,” considered the first lesbian love song in Broadway history—in Melvin van Peebles’s [1932-2021] Ain’t Supposed to Die a Natural Death [Broadway musical, 1971].)

The library, a wonderful building built in 1874-77, was seen in Woody Allen’s (b. 1935) 1986 Hannah and Her Sisters as one of the architect character’s (David, played by Tony Roberts) favorite buildings; I suspect it’s one of Allen’s, too.  (It’s one of mine.)  Note particularly the clock tower; the bell was restored in 1996 and rings on the hour during the day.

Off of 10th Street are two wonderful little streets, Patchin Place and Mulligan Place; note particularly the iron gate of Mulligan Place.  Theodore Dreiser (novelist and journalist; 1871-1945) and e. e. cummings (poet, painter, essayist, author, and playwright; 1894-1962) used to live on Patchin Place. 

Across 6th Avenue, on 11th Street, is the remains of the Second Cemetery of the Spanish and Portuguese Synagogue (Beth Haim Sheni), consecrated in 1805 and functioning until 1830.  (Beth Haim means ‘House of Life’ in Hebrew; it’s a common name for ‘cemetery’; sheni or shenee means ‘second.’  The third [shelishi] cemetery is on West 21st Street, the first is at Chatham Square in Chinatown, and the congregation, Shearith Israel, is currently at 8 West 70th Street).

(Shearith Israel, an Orthodox Sephardic congregation, is the oldest Jewish congregation in the United States.  It was established in 1654 in New Amsterdam by Jews who arrived from Brazil, fleeing the scourge of the Spanish Inquisition that had followed them from Europe.  Until 1825, when Jewish immigrants from Germany established a congregation, it was the only Jewish congregation in New York City.)

Above the Village is Chelsea, established in 1750.  On 21st Street just west of 6th Avenue is the Third Cemetery of the Spanish and Portuguese Synagogue (Beth Haim Shelishi).  On 22nd Street west of 9th Avenue (# 436) is the home of actor Edwin Forrest.  On 23rd Street between 9th and 10th Avenues stood the house of Clement Clarke Moore (writer, scholar, and real estate developer; 1779-1863), the author of “A Visit from St. Nicholas” (“‘Twas the Night before Christmas . . . “) and grandson of Thomas Clarke (1692-1776), who named Chelsea. 

At 222 West 23rd Street, west of 7th Avenue, is the renowned Hotel Chelsea, built in 1883 and residence at various times of Mark Twain (writer; 1835-1910), Thomas Wolfe (novelist; 1900-37), Dylan Thomas, Brendan Behan (Irish poet and playwright; 1923-1964), O’Henry (short story writer; 1862-1910), Sarah Bernhardt (French actress; 1844-1923), Lillian Russell (actress and singer; 1860-1922), Edgar Lee Masters (poet and dramatist; 1868-1950), Larry Rivers (painter; 1923-2003), Arthur Miller (playwright and screenwriter; 1915-2005), Tennessee Williams (playwright and screenwriter; 1911-83), Virgil Thompson (composer; 1896-1989), Jackson Pollock (painter; 1912-56), Yevgenii Yevtushenko (Soviet-Russian writer of many genres; 1933-2017), and Sid Vicious (English musician; 1957-79) of the Sex Pistols (who killed himself and his girlfriend there).  In 1989, En Garde Arts, a theater company specializing in site-specific works, staged At the Chelsea about some of the hotel’s residents in the rooms, with the residents themselves. 

At 23rd Street and 6th Avenue was the location of the Edwin Booth Theatre, which the esteemed actor (1833-93) built in 1869 when this area was the center of the entertainment district.  The actual building no longer exists.  At 14 West 23rd Street was the birthplace of Edith Wharton (writer and designer; 1862-1937), though the building has been greatly altered. 

Chelsea has become a center for dining and drinking and the hip lifestyle of many of the city’s homosexuals.  The strip of 6th Avenue from 14th to 23rd Streets, once known as the Ladies’ Mile for its many elegant dress shops, has been restored and is again a shopping mecca, though somewhat more eclectic than of old.  (Many of the buildings are cast-iron architecture, restored in the 1970s.)

At 5th Avenue and 23rd Street, on a triangle of land on the east side of the avenue formed by the intersection of Broadway, stands the Flatiron Building, built in 1902, for a few years the tallest building in the city.  The area from here south, bordered by Chelsea on the west, Greenwich Village on the south and west and the East Village and Gramercy Park on the east has now become known as the Flatiron District. 

The location of the building—23rd Street—was a particularly windy spot, blowing women’s long skirts enough to show a little ankle occasionally.  Girl-watchers gathered to catch a glimpse and were often shooed away by the traffic cops in the intersection, hence, supposedly, the origin of the phrase, “Twenty-three skidoo!”  True or not, it’s an amusing anecdote. 

Just north of the Flatiron is Madison Square Park; the home of P. T. Barnum’s (1810-91) original Madison Square Garden in 1880 (and its replacement designed by Stanford White in 1890 was at Madison Avenue between 26th and 27th Streets, just north and east of the park).  In the traffic island at the intersection of Broadway and 5th Avenue is often a piece of whimsical public sculpture.  In the past it has been a giant ear of corn or a wooden statue of an ox. 

(From 8 May to 2 September 2024, a “video portal” connecting Dublin, Ireland, to New York City’s Flatiron District, essentially a large live-streaming screen where people in both cities can see and interact with each other in real-time, was installed in that traffic island, across 23rd Street from the Flatiron Building (now designated the Flatiron South Public Plaza).  The installation, by Lithuanian artist Benediktas Gylys, is called The Portal.

(As soon as the portal was installed and covered in the news, it reminded me of the portal in the Star Trek episode “The City on the Edge of Forever” [Season 1, Episode 28; 6 April 1967].  I’m a big fan of Star Trek, and old enough to have watched the original series [1966-69—I was in college].  I looked at pictures of both the ST portal and the video one, and they are unmistakably visual avatars of one another—but no commentator ever mentioned a connection.  Was I the only one who saw it‽)

Across 5th Avenue, at No. 200, is the Toy Center South, the headquarters of many of America’s major toy and game companies.  (One of those toy companies was Horsman Dolls, my grandfather’s business; see “Horsman Dolls,” 14 February 2017.)  Between 23rd and 24th Streets on the west side of 5th Avenue is one of the few remaining—and operating—sidewalk clocks.  The cast iron clock was manufactured in 1880 and still runs perfectly. 

You should note, by the way, that West 28th Street from Broadway to 5th Avenue was the heart of “Tin Pan Alley.”  A block north, at 29th Street and 5th Avenue, is the Marble Collegiate Reformed Church where Dr. Norman Vincent Peale (1898-1993) was pastor (1932-84).  East on 29th Street, halfway to Madison Avenue, is the famous “Little Church around the Corner,” whose true name is the Church of the Transfiguration.  Since 1870, it has been associated with actors (see “Mark Twain & The Little Church Around The Corner,” 5 March 2010). 

Across 21st Street, a half a block east of Park Avenue, is Gramercy Park, the only remaining private park in Manhattan.  At 16 Gramercy Park South is The Players, a very special club founded by Edwin Booth in 1888 in his own home which he had remodeled by Stanford White.  It was the last home Booth, America’s first internationally famous actor, ever owned, and his room is preserved as it was at his death in 1893.  Besides the club, The Players (not the Players Club, by the way) has a research library, established by actor Walter Hampden (1879-1955), specializing in Booth and New York theater.  There is also a collection of Boothiana throughout the building (including a human skull he used as Yorick’s skull—“Alas, poor Yorick!”—in Hamlet). 

Number 15 Gramercy Park South, right next door, is the National Arts Club, formerly the home of New York Governor Samuel J. Tilden (1814-86; 25th Governor of New York: 1875-76) who resigned to run as Democratic candidate for President against Rutherford B. Hayes (1822-93; 19th President of the United States: 1877-81) in 1876.  He won the popular vote but lost the election in the electoral college. 

The National Arts Club is a nonprofit members club founded in 1898 by Charles DeKay (1848-1935), a linguist, poet, and critic, to “stimulate, foster, and promote public interest in the arts and to educate the American people in the fine arts.”

Across the street, inside the Park—for which a key is necessary—is a statue of Edwin Booth in his most famous role, Hamlet, unveiled in 1918.  At 28 East 20th Street, between Broadway and Park Avenue, is the reconstruction of the birthplace of Theodore Roosevelt (1858-1919; 26th President of the United States: 1901-09). 

Down Irving Place, a charming little street between Park and 3rd Avenues that runs only from Gramercy Park to 14th Street, is Pete’s Tavern, 66 Irving Place at 18th Street.  Pete’s dates from 1864 and calls itself the oldest saloon in New York, a claim disputed by McSorley’s Old Ale House on East 7th Street (see above). 

Pete’s also claims to be a favorite watering hole of O’Henry, but it’s a debatable assertion.  55 Irving Place, at 17th Street, is the site of the residence of William Sidney Porter (O’Henry), but little remains of the original house. 

No. 40, across the street, is the Washington Irving House, though it was actually his nephew’s home.  Irving was a frequent visitor, however.  Further east, at 327 East 17th Street, was a house in which Anton Dvorak (Czech composer; 1841-1904) lived for a while.  (It was demolished in 1991 by Beth Israel Hospital, to great local protest.)

West of Irving Place at 14th Street is Union Square Park, named for neither the federal union nor the labor organizations located near and around the square, but because it was located at the “union” of two major roads exiting the city during the 19th century.  Originally built in 1831, it was substantially renovated and beautified in the 1980’s, and the surrounding sidewalks and parking area was redesigned in 2002.  (Note the historical bronze plaques in the new sidewalk outside the park.) 

Once famous for radical soap-box oratory—the park is still a venue for protests and rallies—it now sports an outdoor restaurant (during the warm-weather months only, of course).  On Mondays, Wednesdays, Fridays, and Saturdays, Union Square is the site of one of New York’s Greenmarket farmers’ markets, one of the largest and most popular in the system (see the “Greenmarkets” section in “A Helluva Town, Part 3,” 9 January 2012).  Between Thanksgiving and Christmas, the Union Square Holiday Market sells handcrafts at the south end of the square.

Two of Union Square’s subway entrances have been reconstructed as they might have appeared in the 1890’s.  Aside from the several statues and monuments inside the park, there is a 1986 statue of Mahatma Gandhi (Mohandas K. Gandhi, Indian lawyer, anti-colonial nationalist, and political ethicist; 1869-1948) at a spot once known as “Dead Man’s Curve” at 14th Street and Union Square West. 

On the east side of the square, between 14th and 15th Streets, is a huge, new condominium complex called the Zeckendorf Towers, completed in 1987.  It stands on the site of Klein’s on the Square, once one of old New York’s most famous department stores.  (Remember the line from “Marry the Man Today” in Guys and Dolls (1955): “In Wanamaker’s and Saks and Klein’s / A lesson I’ve been taught. / You can’t get alterations / On a dress you haven’t bought”?  Wanamaker’s, by the way was at 770 Broadway at 8th Street). 

A little further east on 15th Street is the present location of the Strasberg Institute, the theater school founded by Lee Strasberg (theatre director, actor, and acting teacher; principal theorist of Method acting; 1901-82) for would-be actors who weren’t ready for his more famous Actors Studio (the incubator of Method acting). 

On the corner of 17th Street, at No. 100, is the old Tammany Hall.  It’s currently a union hall and houses the Union Square Theatre (which is said to be haunted by a ghost who inhabits a crawl space). 

Among the popular department stores that made the Union Square area a shoppers’ haven at the turn of the century was the original Macy’s at 56 West 14th Street, among the cheap clothing and electronics stores that now line 14th Street. 

The façade of one of the new buildings on East 14th Street, across from the park, is an elaborate and complex sculpture representing “time”—clock time, geological time, astronomical time, etc.  The sculpture is called Metronome (1999) by Kristen Jones and Andrew Ginzel, and it’s on the front of a high rise at 1 Union Square South at the corner of 4th Avenue and East 14th Street.  (I find it pretentious and obscure, but there is an explanation of the symbolism in a New York Times article.  See if you can figure it out.)

A little south of 14th Street is an apartment building at 20 East 11th Street in which Eleanor Roosevelt (1884-1962) leased an apartment as a pied-à-terre from 1933 to 1942.  It’s not open for visitors, but there’s a plaque on the façade that attests to the residence of FDR’s First Lady there.

Fort Tryon Park is at the northwest side of Manhattan between Henry Hudson Parkway and Broadway, from 190th Street to Dyckman Street.  Besides its wooded acres is The Cloisters, part of the Metropolitan Museum of Art focusing on medieval art and architecture (also covered in “A Helluva Town, Part 3,” referenced above).  In the fall they hold a medieval crafts fair, with jousting and entertainment from the Middle Ages and the Renaissance.  Definitely see The Cloisters—even if medieval art isn’t your thing, and it isn’t mine, the building and the display is wonderful.  And if the weather’s fine, the park is beautiful alternative the city.  (For the Medieval Festival in Fort Tryon Park, if you like that kind of entertainment, check out the city’s website.)

Lincoln Center, home of the Metropolitan Opera (212-362-6000), New York City Ballet and New York City Opera (New York State Theatre, 212-870-5570), New York Philharmonic (Avery Fisher Hall, 212-874-2424), Lincoln Center Theater (Vivian Beaumont, Mitzi Newhouse, and Claire Tow Theaters, 212-239-6200), the Juilliard School and the  New York Public Library for the Performing Arts (Dorothy and Lewis B. Cullman Center, 212-930-0800)), is between Columbus and Amsterdam Avenues, from 62nd Street to 65th Street.  It also contains Alice Tully Hall, a concert venue (212-362-1911), and Damrosch Park with the Guggenheim Bandshell (not to mention several works by prominent artists in the plaza, such as Alexander Calder [1898-1976] and Henry Moore [1898-1986]).

Other performance spaces around the city include New York City Center, home of the Alvin Ailey Dance Company, Joffrey Ballet, and the Manhattan Theatre Club, 131 West 55th Street (212-581-7907), and Carnegie Hall, 7th Avenue and 57th Street (212-247-7800).

St. Patrick’s Cathedral, seat of the Catholic archdiocese of New York, is on 5th Avenue at 50th Street; the Cathedral of St. John the Divine, the Episcopal cathedral and the world’s largest Gothic cathedral, is at Amsterdam Avenue and 112th Street in Morningside Heights (behind Columbia University).  Temple Emanu-El, 1 East 65th Street, is the world’s largest reform synagogue.  Shearith Israel, an Orthodox Sephardic congregation at 8 West 70th Street, is the oldest Jewish congregation in the United States.

Central Park runs from 59th (CPS) to 110th Street (Cathedral Parkway) and from 5th Avenue to CPW (8th Avenue).  It contains, aside from many walks, playing areas, and 843 acres of green space—like the Sheep Meadow, the Delacourt Theatre (212-861-7277), where the New York Shakespeare does free “Shakespeare in the Park”; the Wollman Memorial Ice Skating Rink (212-517-4800), renovated for ice-skaters by Donald Trump; the Great Lawn, where summer concerts are often held, and the Central Park Zoo (212-439-6500), now a new children’s zoo; The Carousel (212-879-0244), built in 1908 (the fourth one on this site); The Hans Christian Andersen Statue where storytellers do their thing Saturday mornings (beginning at 11:00 a,m.) most Saturdays, June to September; The Swedish Cottage Marionette Theatre (212-988-9093); Belvedere Castle (Central Park Learning Center – 212-772-0210) with children’s workshops on park history and ecology.

Rockefeller Center covers West 48th to West 52nd Street between 5th and 6th Avenues.  Radio City Music Hall, home of the world-renowned Rockettes, is on 6th Avenue at 51st Street.

The Jacob K. Javits Convention Center (212-216-2000), between 11th and 12th Avenues and 34th and 39th Streets, named for the New York Congressman from 1947 to 1954 and United States Senator from 1957 to 1981, is the largest facility of its kind in the Western Hemisphere.

The Main Library (the Stephen A. Schwarzman Building) and Bryant Park (where you can get reduced-priced tickets for Broadway and Off-Broadway shows) is between 40th and 42nd Street and 5th and 6th Avenues.  (This is the non-circulating research library.  The circulating library near there is the Mid-Manhattan Branch at 40th and 5th on the east side of the avenue.  The Jefferson Market Branch is at 10th Street and 6th Avenue—in a wonderful building that used to be a courthouse (see Part 2).  The library garden used to be the site of a women’s jail.)  Bryant Park now has a skating rink in the winter.

The Empire State Building is at 5th Avenue and 34th Street.  Aside from the breathtaking views of New York City from the 86th floor (and thoughts of King Kong), it houses the Guinness Book of World Records exhibit (opened in 1976).

The Chrysler Building (my favorite skyscraper) is at 405 Lexington Avenue at 42nd Street.

The United Nations complex is at East 42nd-48th Streets and 1st Avenue.

Trump Tower (assuming “The Donald” hasn’t lost it to someone who’s changed its name) is at 56th Street and 5th Avenue.

The Theatre District centers on Times Square (Duffy Square, the north end of Times Square, has been officially dubbed “Actors’ Square”) and spreads east and west of Broadway several blocks from 41st Street to 53rd Street.  Theatre Row, home to many of New York’s Off-Broadway theaters and companies, is 42nd Street between 9th and 10th Avenue (unofficially extended to 11th Avenue).  Restaurant Row, with many wonderful little places to eat, is 46th Street between 8th and 9th Avenues. 

The Diamond Center is along 47th Street from 5th to 6th Avenues.  Museum Mile is along 5th Avenue from the Guggenheim (88th Street) to the Frick (70th Street).  Ladies’ Mile is in the Flatiron District: along 6th and Broadway from 24th to 15th Streets.  Fashion Avenue is 7th Avenue in the women’s Garment District, the 20’s and 30’s.

Sheridan Square, the heart of Greenwich Village, is at 7th Avenue South where West 4th Street and Christopher Street intersect it.  (Christopher Street is a famous center of the gay community.) 

Gramercy Park is a private park (you need a key to get in) at 20th and 21st Streets where Irving Place becomes Lexington Avenue.  Besides being elegant, old New York, at #16 Gramercy Park South is the last home owned by Edwin Booth, first internationally famous American actor and brother of John Wilkes Booth (1838-65).  The home is now The Players, a club for actors started by Booth 100 years ago.  Edwin’s statue in his most famous role, Hamlet, is in the park. 

Washington Square, with its famous century-old arch at the foot of 5th Avenue, one block below 8th Street, is the center of the NYU campus and, unfortunately, the drug trade in the area.  It is also the spiritual heart of New York’s art and literary avant-garde, starting in the mid-19th century.

City Hall is at Broadway and Murray Street in City Hall Park.  Built in 1811, it is a beautiful example of Federal period architecture.

The New York Stock Exchange is at 20 Broad Street in the heart of the Financial District, commonly known as Wall Street.  Nearby are St. Paul’s Chapel, Broadway and Fulton Street, where George Washington worshipped, and Trinity Church, Broadway and Wall Street, which has Manhattan’s oldest cemetery, including the graves of Alexander Hamilton (1755-1804; 1st U.S. Secretary of the Treasury: 1789-95) and Robert Fulton (engineer and inventor, credited with developing the world’s first commercially successful steamboat; 1765-1815).

All the way downtown is Battery Park, on the southern tip of Manhattan—the site of the original colony of New Amsterdam—and South Ferry, whence depart the Liberty Island and Staten Island Ferries.  The ferry to Ellis Island, which has been restored for tourism, departs from Battery Park.

The South Street Seaport, a wonderful place to wander and browse on a warm day, is the old harbor of New York at the southern tip of the island at the mouth of the East River along Fulton Street between Water and South Streets.  It has shops, restaurants, and restored old ships.  The main tourist site is the South Street Seaport Museum, which also provided access to some of the restored ships.  (Until 2005, when it relocated to the Bronx, it was also the home of the Fulton Fish Market, for 183 years, the most important wholesale fish market on the East Coast of the United States.)

Guide to Cross Streets

Addresses on Cross-Town Streets

West Side                                            East Side

                     # 1 is at:  5th Avenue............................... 5th Avenue

                # 100 is at:  6th Avenue............................... 4th or Park Avenue 

                # 200 is at:  7th Avenue............................... 3rd Avenue

                # 300 is at:  8th Avenue............................... 2nd Avenue

                # 400 is at:  9th Avenue............................... 1st Avenue

                # 500 is at: 10th Avenue............................... York or Avenue 

               # 600 is at: 11th Avenue............................... Avenue B

               # 700 is at: 12th Avenue............................... Avenue C

 Addresses on Avenues

To find nearest cross street, drop last digit of house number, divide by 2, and make correction shown below.  Example:  1000 3rd Avenue: Cancel last figure (0), divide remainder (100) by 2 (50), and add key number for 3rd Avenue (10).  Nearest cross street is 60th Street

         Avenues A, B, C, D . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 3        
         1st and 2nd Avenues . . . . . . . . . . . . . . . . . . . . . . . . . . .add 3                            
         3rd Avenue. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .add 10                              
         4th Avenue (Park Avenue S.) . . . . . . . . . . . . . . . . . . .. .add 8                               
         5th Avenue up to 200 . . . . . . . . . . . . . . . . . . . . . . . . . . add 13            
                      201-400 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 16                                                    

                      401-600 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 18                   
                      601-775 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 20            
                      775-1286 (do not divide by 2) . . . . . . . . . . . . subt. 18        
                      1287-1500 . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 45                        
                      above 2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . add 24        
         6th Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . subt. 12          
         7th Avenue up to 1800 . . . . . . . . . . . . . . . . . . . . . . . . . add 12            
                      above 1800 . . . . . . . . . , . . . . . . . . . . . . . . . . . add 20            
         8th Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  . . .  add 9              
         9th Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 13            
         10th Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 14                                                

         11th Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .add 15                                                   

         Amsterdam Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . .add 59           
         Audubon Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .add 165           
         Broadway up to 754 . . . . . . . . . . . . below 8th Street                       
                     755-858 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . subt. 29
                     859-958 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . subt. 25
                     above 958 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .subt. 31
         Central Park West (do not divide by 2) . . . . . . . . . . . add 60
         Columbus Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 59
         Convent Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .add 127
         Edgecombe Avenie . . . . . . . . . . . . . . . . . . . . . . . . . . . .add 34
         Fort Washington Avenue . . . . . . . . . . . . . . . . . . . . . . . .add 158
         Lenox Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .add 110
         Lexington Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . .add 22
         Madison Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .add 26
         Manhattan Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 100
         Park Avene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .add 34
         Pleasant Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 101
         Riverside Drive (do not divide by 2)   
                      up to 567. . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 73        
                      above 567 . . . . . . . . . . . . . . . . . . . . . . . . . . . .add 78             
         St. Nicholas Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . .add 110
         Wadsworth Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . add 173
         West End Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . add 159 

[“New York, New York! / It's a helluva town!”  It’s the opening line of the song so nice, Bernstein, Comden, and Green named it twice.  It’s also the source of the title or subtitle of my ad hoc series for Rick On Theater.  As of this date, not including the present three-part post, “Rick’s Guide to New York,” there are seven posts in the “A Helluva Town” series.  They are: “A Helluva Town,” 15 August 2011; 18 August 2011; 9 January 2012; “High Line Park,” 10 October 2012; “Governors Island,” 19 November 2012; “Lower East Side Tenement Museum,” 19 December 2012; “Manhattanhenge,” 30 June 2023.]